John Aubrey


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John Aubrey
Birthday
BirthplaceWiltshire
Died
NationalityEnglish
Occupation
author, antiquarian, biographer

Aubrey, John

(ô`brē), 1626–97, English antiquary and miscellaneous writer, b. Kingston, Wiltshire, educated at Trinity College, Oxford. He knew most of the famous people of his day and left copious memorandums as well as letters. His most celebrated work, Lives of Eminent Men, was originally compiled for the use of Anthony WoodWood or à Wood, Anthony,
1632–95, English antiquary. His painstaking researches into the history of Oxford resulted in two great works, The History and Antiquities of the University of Oxford
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 in his Athenae Oxonienses. The Lives first appeared in print in 1813. Only his Miscellanies (1696), a collection of stories and folklore, was published in his lifetime. Extremely interested in antiquities, he wrote the Natural History of Wiltshire (ed. by John Britton, 1847) and Perambulation of Surrey, which was included in the Natural History and Antiquities of Surrey (1719).

Bibliography

See R. Scurr, ed., John Aubrey: My Own Life (comp. from his papers, 2016).

References in periodicals archive ?
Kelley and his compatriots, Alexandra Cook and John Aubrey, perform these works with tremendous elan, somehow making it sound "easy."
In John Aubrey's Natural History, a 1633 school teacher sees green circles made by spirits in the grass.
John Aubrey suffered for his allegiance to the king, but was rewarded for his loyalty at the Restoration with a baronetcy.
Stubbs takes the measure of a period ranging from the early teens of the seventeenth century to the recriminations, law-suit, and sad falling-out of Anthony a Wood and John Aubrey in the wake of the publication of Athenae Oxonienses more than three-quarters of a century later.
John Aubrey, for example is introduced as a "pretender to Antiquities:" he would, Wood comments, "stuff his many letters ...
Now, inspired by John Aubrey's Brief Lives, he has turned his hand to a series of 250 mini-sketches of people whom he has encountered in his long life.
Harold Love writes engagingly on the ways in which contemporary gossip fuelled biographical writing; John Aubrey was one raconteur among many who relied heavily on irreverent material of this kind.
AS JOHN AUBREY wrote in his diaries, "Box about, t'will come back".
The final essay in the section, by Henk Dragster, deals with John Aubrey's reframing of the tales told him by his nurse in a historical context, thereby reasserting the classical division of male/written/scholarly versus female/oral/fiction.
Part 1 explores the roles of the "old nurse" and other female storytellers in the fictional worlds of Edmund Spenser, Sir Philip Sidney, Lady Mary Wroth, and Anna Weamys, as well as in John Aubrey's (also fictional) historiographical project.
John Aubrey, William Stukeley, John Soane, John Ruskin, William Morris, Octavia Hill and John Betjeman (along with the less well-known Georgian architect John Carter) stride through the first half of this book.
by John Aubrey Douglass, Stanford, CA: Stanford University Press, 2007, 352 pp.