John Opie


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Opie, John,

1761–1807, English portrait and historical painter. Opie showed a remarkable talent as a young man. He became the protégé of the poet John Wolcot, and enjoyed a brief popularity as a fashionable portrait painter in the Reynolds tradition. In 1786 he began a series of seven pictures for Boydell's Shakespeare Gallery. His portrait of Mary Wollstonecraft is in the National Portrait Gallery, London.

Bibliography

See A. Earland, John Opie and His Circle (1911).

References in periodicals archive ?
The Cornish Wonder: A Portrait of John Opie. Truro, Cornwall: Truran Books, 2007.
"Memoir of John Opie." Prefixed to Lectures on Painting.
(44.) See Ada Earland, John Opie and his Circle (London: Hutchinson & Co., 1911); Viv Hendra, The Cornish Wonder: A Portrait of John Opie (Truro, Cornwall: Truran Books, 2007); and Amelia Opie's own memoir of her husband, attached to his Lectures on Painting, which she edited and published in 1809.
Although John Opie encouraged and advised his wife's writing (Brightwell, Memoir 12 and Spender 318), Opie dedicates The Father and Daughter to Dr.
John Opie read about thirty papers, grouped them into categories, and wrote two or three sentences of critical yet supportive commentary about each paper.
(1) John Opie, Nature's Nation: An Environmental History of the United States (Fort Worth, TX: Harcourt Brace College Publishers, 1998)--for my survey course "North American Environmental History."
Rural America could have been a vastly different place, according to historian John Opie's account in The Law of the Land In parts of New England, as in the European farming communities of many of our immigrant forebears, farm families lived in a village center, with plots scattered throughout the nearby countryside.
The RSC has a unique collection of paintings inspired by Shakepeare's plays including works by artists including George Romney, Robert Smirke, Francis Wheatley, John Opie, Sir Joshua Reynolds, Thomas Stothard and Henry Fuseli's.
GE's shareholder letter - signed by vice chairmen Paolo Fresco and John Opie in addition to Jack Welch - tells it like it is.
Her ties to the group were, however, broken by marriage to John Opie, a painter and member of the Royal Academy, in 1798.
Along the way, Immelt says he learned open yet focused management from Gary Rogers, his boss at Plastics; Glen Hiner, who now runs Owens Corning; and vice-chairman John Opie, who once ran Lighting.