John Singer Sargent


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Sargent, John Singer

 

Born Jan. 12, 1856, in Florence; died Apr. 15, 1925, in London. American painter.

Sargent studied in Paris from 1874 to 1879. Beginning in 1885 he lived in London and periodically visited the United States. He was influenced by G. Courbet and E. Manet. A brilliantly proficient painter, Sargent displayed acute powers of observation and an interest in psychology in several of his works, for example, his portrait of R. L. Stevenson (1884–87, Taft Museum, Cincinnati). He became famous, however, as a painter of masterful society portraits (Madame X, 1884, Metropolitan Museum of Art, New York), effective genre pictures (Carnation, Lily, Lily, Rose, 1885–86, Tate Gallery), and wall murals, including those in the Boston Public Library (1894–95).

REFERENCE

Ormond, R. John Singer Sargent. New York, 1970.
References in periodicals archive ?
Left, The Misses Vickers 1884, by John Singer Sargent MY PARENTS Assistant Keeper Marie-Therese Mayne, the painting by David Hockney, at the Laing Art Gallery
Sargent to Isabella Stewart Gardner, January 1, 1889, in the John Singer Sargent Letters Online in the Smithsonian Archives of American Art, http:/ Iwww.
In a separate class period, demonstrate for students how to capture motion, using gesture drawing in the style of John Singer Sargent.
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Originally a busy stagecoach stop on the route from Worcester to London, Broadway became home to artists and writers including Edward Elgar, John Singer Sargent, and J.
examined in a closely focused exhibition is John Singer Sargent.
1765), an oil portrait by John Singleton Copley, considered one of the most influential painters in colonial America, augments a collection of portraits by Gilbert Stuart, Thomas Eakins and John Singer Sargent.
She is not speaking, but her lively, sparkling eyes, coupled with the turning, confident pose of her body, create an invigorating figure, quite reminiscent of the portraiture of John Singer Sargent.
eye can instantly tell when something is off, as the American portrait master John Singer Sargent acknowledged in his famous and perhaps apocryphal quip to a dissatisfied subject who was unhappy with his depiction of her nose: "Oh, a little thing like that, you can fix it when you get home.
A colour reproduction of the classic John Singer Sargent painting, "Gassed," would have been appreciated; however, these are minor criticisms in a book that is useful now and will continue to enlighten and entertain for years to come.
The artist range from Jacque-Louis Davide (considered a master of Classicism); to Andy Warhol (the acknowledge and legendary guru of Pop Art); to Jean-Auguste-Dominique Ingress 9known for his linear and rigorous portraits); to John Singer Sargent (who depicted the nobility and plutocracy associated with the Gilded Age); to Giovanni Boldini (noted for his renderings of literary and theatrical personalities).