Niccoló Jommelli

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Jommelli, Niccoló

 

Born Sept. 10, 1714, in A versa, near Naples; died Aug. 25, 1774, in Naples. Italian composer, representative of the Neapolitan school of opera.

Jommelli became a member of the Bologna Philharmonic Academy in 1741. He composed more than 70 operas; among his most outstanding were Merope (1741), Artaxerxes (1749), and Phaethon (1753; 2nd version, 1768). Jommelli also wrote church music (for example, the famous Miserere) and intermezzi (for example, Don Falcone, which was performed in St. Petersburg in 1779). Anticipating the operatic reforms of C. W. Gluck, he assigned an important place to the accompanied recitative and intensified the dramatic role of the chorus and the orchestra in his operas.

REFERENCES

Livanova, T. N. Istoriia zapadno-evropeiskoi muzyki do 1789 goda. Moscow-Leningrad, 1940.
Abert, N. Niccoló Jommelli als Opernkomponist. Halle, 1908.
References in periodicals archive ?
Naples emerged as an important center for cantata composition between the years 1680--1740 with such composers as Francesco Provenzale, Alessandro Scarlatti, Francesco Mancini, Nicola Fago, Domenico Sarro, Nicola Porpora, Francesco Feo, Leonardo Leo, Leonardo Vinci, Giovanni Battista Pergolesi, Nicolo Jommelli, and the Sicilian-born Emanuele Baron d'Astorga.
None of the established histories of the modern Olympic games, including histories of the arts festivals of even histories of music in the Olympics, acknowledge Metastasio's drama, a fact rendered even more surprising since, according to the renowned music historian, Charles Burney, "the settings and singings of Metastasio's verse rendered Pergolesi, Venci, Jommelli, Sacchinni, and Farinelli, Caffarelli, Pacchierotti, and Marchesi, as celebrated in all parts of Europe as Corneille, Racine, and Voltaire" (Vol.
They will play Baroque music by Leclair, Handel, Bach, Jommelli and Couperin.
Some of the composers are welnown: Pergolesi with his underlying seriousness; Cimarosa with a delightful sinfonia concertante highlighting two flutes; Jommelli with a liturgical overture still infectiously theatrical.
He was already slated to record the lead role in a Jommelli opera with Frieder Bernius in Stuttgart in December, and in addition, he was assisting Sellars to direct a semi-staged performance of Bach cantatas in Paris.
McClelland mentions in "Chapter One: Ombra Music in Context," that the earliest version of the term is associated with Mozart's contemporary, the widely respected composer Niccolo Jommelli (p.
Link further posits that any lack of ornamentation was due 10 the "thick orchestral accompaniment of the sort that Niccolo Jommelli and Mozart were known for" (p.
178) is complete when Niccolo Jommelli is appointed Kapellmeister in 1753.
Little known today, Rigel studied under Jommelli and was then sent to Paris by composer F.
14) Number two, the Berkeley Organ Manuscript (MS 751 A+B, seventeenth century); number three, the Berkeley Theory Manuscript (MS 749, fourteenth century), and so on through the madrigals of Michelangelo Rossi (1601/2-1656; MS 749), the letters of Nicolo Jommelli (1714-1774; MS 755), and a sketch leaf by Beethoven for his String Quartet op.
In his letters, the midcentury composer Niccolo Jommelli refers to both serious and comic works simply as operas, but he also differentiates them, as in a letter dated 13 June 1769: "un'opera Seria, ed un'altra grottesca.
For his version, Majo used a libretto by Mannheim court poet Mattia Verazi (also set by Jommelli in 1771 for Naples).