It is not enough, then, to merely notice the similarities between "A Memory" and Portrait's Joycean
epiphany and to suggest that this trope of literary modernism might have served as an influence on Welty's story; rather, the significance lies in where Welty's "tales diverge" from their allusive source (Pollack 7).
He suggests that there is some Joycean
irony in young Stephen's presentation of Aquinas in the Portrait and that the aesthete's stress on process of aesthetic apprehension was not Joyce's own interest at the time of writing.
(26) Cardin asserts that O'Brien's Joycean
epigraph is a sign of respect and indicates a desire to align herself with her "famous predecessor," arguing against reading the epigraph for any thematic resonances.
Dennett calls this softwired system the Joycean
/ He took it / in the tongs of metaphor / so it wouldnt burn and the latter in her Joycean
rift Portrait of the Artist: Who wants to bestripped to his cotton socks / with nothing but a fig leaf of metaphor / to keep him decent?
Hence the pre-concert buzz displayed an intensity and sense of anticipation that cannot fully be described without sinking to Joycean
Another senior Joycean
, Zack Bowen, contributes a short paper on a 'Smidgeon of Smut' (among other matters) in Part I of this varied and well-produced volume.
If you're a fan check out themodernword.com/joyce, where you'll find information and resources on Joyce and his works, links to other Joyce sites across the web, and miscellaneous Joycean
This small unassuming inky square, evoking a "Joycean
free association," economically reflects a real sense of what it means having to read in the dark.
But following right on their heels was 1968's "Astral Weeks," a perennial contender for Greatest Album of All Time and a dizzying voyage through the "viaducts of your dreams"--life, searching, death and rebirth in a Joycean
Dublin--before Morrison returned to the more profane in 1970's "Moondance."
He recognizes its affinity to a Whitehead read through Deleuze, who is reading Leibniz by way of a Joycean
chaosmic reading of the Whiteheadian event.
Owens's critical approach is based on an understanding of one of Joyce's key literary devices: the "insetting of one text within another, as a kind of expanded allusion." The "technical and stylistic contrasts between the Joycean
narrative and the one it encloses provide the pleasure, puzzlement, and meaning of the entire work." Probably the most famous examples of this in Joyce are the hellfire sermon and the villanelle in Portrait.