Anderson, Dame Judith

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Anderson, Dame Judith,

1898–1992, British actress, b. Adelaide, S. Australia, originally named Frances Margaret Anderson. She made her debut in Sydney in 1915 and by 1924 had become celebrated for her portrayals of classical and modern roles. In 1937 she made her London debut in Macbeth with Laurence Olivier. The title role in Medea by Robinson Jeffers, which she played in 1947 and 1982, was a personal triumph. Anderson's notable films were Rebecca (1940), Laura (1944), and Cat on a Hot Tin Roof (1958). Her later films include A Man Called Horse (1970) and Star Trek III (1984). She was made a Dame of the British Empire in 1960.
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Janet Leigh in the scene from Psycho, which left us all nervous of hotel showers The maestro of horror, head in hand, and below, his 'body' floating down the Thames The wild rover pops in for a pint An early cameo from Alfred Hitchcock (left) in 1929's Blackmail A terrified Tippi Judith Anderson and Joan Fontaine in Rebecca
Davis, Agnes Moorehead, Edith Head, and Dame Judith Anderson.
Judith Anderson's Light and Death: Figuration in Spenser, Kepler, Donne, Milton is a wonderfully complex book.
His classic Hollywood Lesbians, first published in 1994, was a delight to read and featured interviews Hadleigh conducted with stars such as top 1940s box-office earner Barbara Stanwyck, brilliant character actors Dame Judith Anderson, Sandy Dennis, Capucine, and Agnes Moorehead--as well as exceedingly rare interviews with pioneering lesbian director Dorothy Arzner, Oscar-winning costume designer Edith Head, and comedians Nancy Culp, Marjorie Main, Patsy Kelly and Ann B.
The very first Santa Barbara film festival honored a local Montecito resident and film noir icon, Robert Mitchum, with a tribute hosted by Santa Barbara's Judith Anderson. Eastwood, Angelina Jolie, and Brad Pitt are just a few of the celebrities who have stopped by the festival since.
With Laurence Olivier as Maxim, Fontaine as the unsuspecting second wife and Judith Anderson as the dastardly housekeeper Mrs.
Anyone attending Chicago Opera Theater's Melee in April expecting to see a protagonist in the tempestuous mode of Maria Callas's Medea in the Cherubini opera or Judith Anderson in the Euripides drama would have had a big surprise.
Judith Anderson argues that St Paul's theories of sin and rational will influenced the works of Donne, Spenser, and Milton, promoting the idea that diseases were justified by feelings of guilt.
Judith Anderson, Transport Officer with Kirklees Council's school transport team, said their work was vital.