Jules Bastien-Lepage

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Bastien-Lepage, Jules


Born Nov. 1, 1848, in Dam-villers, Champagne; died Dec. 10, 1884, in Paris. French artist.

Bastien-Lepage studied at the Ecole des Beaux-Arts in Paris (from 1867). He painted realistic pictures of peasant life (The Haymakers, 1877, the Louvre, Paris; Love in the Village, 1882, A. S. Pushkin Museum of Fine Arts, Moscow), portraits, and historical pictures (Joan of Arc, 1879; Metropolitan Museum, New York). He sometimes idealized religious and patriarchal principles. To intensify the truthfulness of a painting he made partial use of the plein air style.


Theuriet, A. j. Bastien-Lepage. . . . Paris, 1885.
References in periodicals archive ?
His work has shown how Pelez's approach can be fruitfully compared with painters like Jules Bastien-Lepage, Leon Frederic or Emile Friant.
Un ejemplo de este recurso lo encontramos en Haymaking de Jules Bastien-Lepage (1877) o en Un ecolier qui etudie sa lecon de Jean-Baptiste Greuze (1757).
Sargos, President of the French Court of Cassation Department, presented the communication entitled "Lessons learnt from the secrets betrayed by Jules Bastien-Lepage and Francois Mitterand." He stressed that the medical confidentiality had to be protected because it was a requirement of public health.
6 JULES BASTIEN-LEPAGE, JOAN OF ARC, 1879 (METROPOLITAN MUSEUM OF ART, NEW YORK) This life-size depiction of the young Joan in her parents' garden as she receives divine communication reminds us of her simple origins.
But it was the cautious Jules Bastien-Lepage, rather than the more radical style of the artist now most strongly associated with the town, Gauguin, which provided the inspiration for Marianne's early figure compositions.
Surviving works from both painters suggest that their main influence at this moment was the French rustic realist Jules Bastien-Lepage. Visitors that summer also included the Irish painter Walter Osborne and the pioneering photographer Peter Henry Emerson who shared similar aims.
His point of departure was a recent tradition of open-air painting which derived from the French painter Jules Bastien-Lepage, who then enjoyed a huge reputation among artists in Britain and other countries, rather than from Impressionism.