Filippo Juvarra

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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Juvarra, Filippo

 

(also F. Juvara). Born Mar. 27, 1678, in Messina; died Feb. 1, 1736, in Madrid. Italian architect.

Juvarra studied in Rome between 1703 and 1714 under C. Fontana. He worked in Messina in 1714 and primarily in Turin from 1714 to 1735; in 1719 and 1720 he designed a palace in Portugal. In 1735 he moved to Madrid. Juvarra’s works in Turin include the facade and staircase of the Palazzo Madama (1718–21), the reconstruction of the Palazzo Reale (1720–21), and the Church of Santa Maria del Carmine (1732–36). He is also known for the majestic Superga monastery and church complex (1715–31) and for the hunting lodge at Stupinigi (1729–34), both of which are located near Turin.

In his works Juvarra combined features of the late baroque (and partially of the rococo) with the tendency toward classically clear forms and rectilinear layouts that was characteristic of early 18th-century Italian architecture.

REFERENCE

Rovere, L., V. Viale, and A. E. Brinckmann. Filippo Juvarra. Milan, 1937.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
Collectors, especially in the 20th century, recognised the drawings of Filippo Juvarra, Giacomo Torelli, the Bibiena and Galliari families as artworks in their own right.
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CENTRE D'ART CONTEMPORAIN GENEVE * September 13-November 24 * Curated by Andrea Bellini * In this survey of Bronstein's architectural drawings, expect a broad range of the London-based Argentinian artist's whimsical, mashed-up re-creations of grandiose Baroque palaces and piazzas, ornate Rococo interiors, Georgian town houses, and postmodernist cityscapes, all channeling the work of such visionary designers as Filippo Juvarra and Jean-Jacques Lequeu.
The impact of Cortona's designs on contemporary and later architects (e.g., Juvarra, Fuga) is more briefly discussed, but one comes away with a feeling of something that did not quite connect.
The first of several extremely effective screens shows churches by Juvarra, Andrea Pozzo, Andrea Palma and Guarini and that is without leaving Italy for the splendours of Bavaria and Austria or the widely flung reaches of Latin and South America.
Guarino Guarini laid the foundations in 1678 and Filippo Juvarra designed the altar 50 years later.
Filippo Juvarra, brought from his native Sicily with a commission to design the royal palace in Madrid for Ferdinand IV, invited Amigoni to join him there.