Kecal

Kecal

marriage broker whose plans are foiled by a pair of lovers. [Czech Opera: Smetana The Bartered Bride in Osborne Opera, 32]
References in periodicals archive ?
Special mention must also be made of James Creswell as the manipulative village mayor, Kecal, and Nicholas Watts as Vaek, who stutters his way through his sung and spoken lines to bring an element of emotional vulnerability and insecurity.
A gloriously bass-voiced James Cresswell plays Kecal, the machinating Mayor who sets up Marenka's marriage for money, against her will, to stammering city-boy toff Vaek (Nicholas Watts).
Jozef Benci is a brilliant Kecal, with his comical ceremoniousness, even minor funny neighbourly displays, making him a nigh-on ideal performer of the character, The two parents fully meet the requirements of their roles.
Jordan Bisch was fine and funny, too, as marriage broker Kecal, even if he looked too young and lacked the black, booming basso the role likes best.
and subdued (the Jenik and Marie duet in Act 1) or at least slower (the Kecal and Jenik duet in Act 2) performance of vocal numbers.
Versatile and a quick learner, he did roles such as Figaro in The Marriage of Figaro, Kecal in The Bartered Bride and Prince Gremin in Eugene Onegin, always in Czech.
A certain over-acting is evident in some roles, including Kecal as played by the important Wagnerian bass, now dead, Karel Ridderbusch, but overall the opera is presented realistically and credible, including the witty scenes by the comic players--their principal sung by the then 73-year-old baritone Erich Kunz.
Sung convincingly in Czech, the production boasted a strong supporting cast (John Avey and Gaynor Jones as the parents Krusina and Ludmilla; Sonya Gosse and Thomas Goertz as the parents Hata and Micha), with Dean Peterson offering a particularly valuable reminder that Kecal, the marriage broker, need not be portrayed vocally as a study in bluster.
While for Eduard Haken, Mumlal was the same kind of challenge as Kecal in The Bartered Bride.