Kenzo Tange


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Related to Kenzo Tange: Kunio Maekawa
Kenzō Tange
Birthday
BirthplaceOsaka, Japan
Died
NationalityJapanese

Tange, Kenzo

(kĕn`zō täng`ē), 1913–2005, Japanese architect. A graduate of the Univ. of Tokyo, he later taught there and at several American universities. The Hiroshima Peace Center (1949), for which Tange designed three buildings, won him international fame. Influenced by Le CorbusierLe Corbusier
, pseud. of Charles Édouard Jeanneret
, 1887–1965, French architect, b. La Chaux-de-Fonds, Switzerland. Often known simply as "Corbu," he was one of the most influential architects of the 20th cent.
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, Tange was a leading creator of shell structures and planned many throughout Japan. In his design for the Shizuoka convention hall, Ehima (1953–54), a hyperbolic paraboloidal system was used to span a distance of 375 ft (114 m). Tange's later works, such as the Kagawa prefectural office (1955–58), are notable for restraint of design and the employment of the traditional Japanese aesthetic in modern technical terms. His plan for the National Indoor Stadium at Yoyogi for the 1964 Tokyo Olympics is a striking example of suspension roofing. Tange's only completed project in the United States is a 1974 expansion of the arts complex in Minneapolis. His late works include the Tokyo city hall (1991), the Fuji Television Building, Tokyo (1996), and the Singapore National Library (1998). Tange was awarded the 1987 Pritzker PrizePritzker Prize,
officially The Pritzker Architecture Prize
, award for excellence in architecture, given annually since 1979. Largely modeled on the Nobel Prize, it is the premier architectural award in the United States and is named for the family that founded the
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.

Bibliography

See studies by R. Boyd (1962) and U. Kultermann, ed. (1970); Kenzo Tange 1946–1996 (1997).

Tange, Kenzo

(1913–2005)
He came from Kunio Mayekawa’s office and was influenced by Le Corbusier, but drew on Japanese themes. The Hiroshima Peace Center and Museum (1955) was his first major project, followed by St. Mary’s Cathedral, Tokyo (1961). Later work includes the gymnasium for the Tokyo Olympics (illus.) Tokyo, Japan (1964), covered by a gigantic tensile catenary roof structure, and Tokyo City Hall (1991).
References in periodicals archive ?
Concurrent archive research was carried out on the documentation produced by Kenzo Tange Associates, the LDT and other institutions concerned in the development of Lumbini.
TOKYO - Internationally acclaimed Japanese architect Kenzo Tange died of heart failure at his home in Tokyo early Tuesday, his family said.
Axel Plathe, Head of the UNESCO Office in Kathmandu said, The completion of the Master Plan is urgent not only to ensure that pilgrims, when visiting Lumbini, have a unique spiritual experience that Kenzo Tange so brilliantly envisioned.
Japanese architect Kenzo Tange and Slovenian Edvard Ravnikar won an international competition for the city centre, and a detailed urban plan, the famous 'Variation IX', was drawn up.
La Embajada de Japon en Mexico (1975), en colaboracion con Kenzo Tange, el Santuario de Guadalupe en Monterrey (1981) O el Centro Cultural Tijuana (1982) ejemplifican una arquitectura colosal, de gestos imperativos.
The new space, designed by Michael Graves and Associates, departs from the Kenzo Tange design of 1974 by adding a multitude of windows that makes CTC a more visible presence in the community.
master plan, designed by Japanese architect Kenzo Tange 30 years ago, is to develop Lumbini as a Buddhist pilgrimage center.
The temple of Mayadevi is the centerpiece of a plan designed by Japanese architect Kenzo Tange to honor the birthplace of the Buddha.
This fall brings the release, all at once, of three more titles, two of them edited by Mostafavi: Kenzo Tange, for which he wrote the foreword; Instigations, the follow-up to the GSD's 75th anniversary, held last academic year; and In the Life of Cities.
Since the 1980s Mangas and Anime have drawn heavily on architecture created twenty years earlier by the Metabolists, whose number include Arata Isozaki, Kenzo Tange, Fumihiko Maki and Kisho Kurokawa.
Y, que, tras su aprendizaje con Jose Villagran y Mario Pani durante su epoca de estudiante, el tiempo que paso en la oficina de Le Corbusier en Paris y los anos de sociedad con Abraham Zabludovsky, sigue renovandose, interesandose por los jardines tradicionales japoneses, las obras del Kenzo Tange de los anos sesenta, asi como en la avida busqueda de los edificios mas recientes de Toyo Ito o de los mas jovenes como Kengo Kuma o Kazuyo Sejima.