Krapp

Krapp

passes the time by listening to tapes on which he had recorded his earlier experiences and reflections. [Br. Drama: Beckett Krapp’s Last Tape in Weiss, 244]
References in periodicals archive ?
El "archivo Krapp" es esa misma pesadilla que comienza a emerger desde el inicio de la quinta obra dramatica del escritor irlandes Samuel Beckett (2006), Krapp's Last Tape de 1958.
It is considered a pantropical species in coastal waters at shallow depths (Bourdillon, 1955; Bamber, 2007), and a frequently reported species from Colombia (Muller & Krapp, 2009), Brazil (Lucena et al., 2015) and Mexico (Child, 1992; Munilla, 2002).
Calcutta!, and Andrew Head's survey of British productions of Krapp's Last Tape, which demonstrates how the sheer portability of this one-man show helped Beckett's work to become part of the developing ecosystem of British theatre, introducing it to regional audiences and eliciting highly varied responses.
The idea of being able to remember is not as straightforward as one would like to think, and both Footfalls and Krapp's Last Tape deal very much with the inability to lay claim to one's own past; I think this has relevance to the people of Cyprus in both personal and communal terms."
The prologue is too reliant on Beckett's Krapp's Last Tape (1958) to be really interesting or innovative.
"Skype is used in the same way as Beckett used the tape in Krapp's Last Tape."
On the 21st of September, 1959, Samuel Beckett writes to Alan Schneider, whose production of Waiting for Godot at the Alley Theatre, in Houston, Texas, has opened on the 9th, informing him of a tantalizing "idea for 2 variants on the Krapp theme but can't do anything about it till I finish what I'm doing" (241).
Address for correspondence: Fiorella Krapp Lopez, Division of Infectious Diseases, Department of Medicine, Northwestern University, 645 N Michigan Ave, Ste 900, Chicago, IL 60611, USA; email: fiorella.krapp@northwestern.edu
According to Krapp (2002), interest is a relational construct that consists of a more or less enduring relationship between a person and an object.
El interes, en nuestros dias, es considerado como una variable motivacional critica en la educacion (Renninger y Hidi, 2011), ya que dirige la atencion (McDaniel, Waddill, Finstad y Bourg, 2000; Renninger y Wozniak, 1985; Silvia, 2005), facilita el aprendizaje en diferentes areas de contenido (Ainley, Hidi y Berndorff, 2002; Denissen, Zarrett y Eccles, 2007), y entre los estudiantes de todas las edades (Johnson, Alexander, Spencer, Leibham y Neitzel, 2004; Nolen, 2007; Palmer, 2009), y se desarrolla a traves de la experiencia (Azevedo, 2006; Krapp y Lewalter, 2001; Renninger y Hidi, 2002).
We are introduced to the solo character of Krapp as he sits hunched over an old desk surrounded by the detritus of his life - dusty ledgers and boxes filled 'with spools of tape - or 'spooooolllls' as Krapp likes to call them with a near hysterical humour that is as confused as his mind clearly is.
Even today, when I'm stressed and the phone rings, I often think of Dorothy's reflex response: "What fresh hell is this?" Krapp's Last Tape by Samuel Beckett (Faber, 1959) In my first term at Newcastle University, we studied modern drama.