Lehmbruck


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Lehmbruck

Wilhelm . 1881--1919, German sculptor and graphic artist
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The counterpoint to this villa in a northern town is a Mediterranean tourist village, where Lehmbruck rents a room and observes the son of the landlady.
For this collaborative retrospective, the Wilhelm Lehmbruck Museum presents twenty-five installations and Conceptual works while the Kunsthalle Dusseldorf brings together about fifty of Ruthenbeck's sculptures and photographs.
1 JOSEPH BEUYS'S FINAL SPEECH In January 1986, eleven days before his death, Joseph Beuys gave a speech as he accepted the Wilhelm Lehmbruck Prize in Duisburg, Germany.
Constructed on radiant stage sets reminiscent of the white cube, Chung's dreamlike works (to be included in an exhibition this summer at the Wilhelm Lehmbruck Museum in Duisburg, Germany) succeed in merging signifiers of taste, race, class, and masculinity--an improvement over the usual "just add water" postmodern recipe.
This axial installation logic is sometimes so emphatic that works can even be seen two galleries ahead, as in the case of Matisse's Red Studio, 1911, which beckons from beyond the Lehmbruck, and later, in the case of Newman's Vir Heroicus Sublimis, 1950-51, hung in direct contradiction to the artist's express stipulation that his large canvases not be seen from afar.
In Backsliding, Sideslipping, One Great Leap and the "Forbidden," 1994/2002, she quotes the interior of Le Corbusier's Villa Savoye within the museum space as the exhibition architecture for her own works as well as a selection from the permanent collection: Joseph Beuys, Ben Vautier, Gerhard Richter, Umberto Boccioni, and Wilhelm Lehmbruck.
28-May 14, 2000); "Cultural Spaces," a survey of sculpture since 1970 (Wilhelm Lehmbruck Museum Duisburg, Nov.
But why is it that an exhibition of Modern sculpture at Beaubourg ignores a whole school of sculpture - the school of Wilhelm Lehmbruck, one of the greatest sculptors, and of Arturo Martini, Cesar, Arman?
In Paolo and Francesca, 1913, The Female Slave, 1914, and Temptation of Man, 1914, Lehmbruck draws various versions of woman (and man) as slaves of love.