Leni Riefenstahl

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Leni Riefenstahl
Helene Bertha Amalie Riefenstahl
BirthplaceBerlin, German Empire

Riefenstahl, Leni

(Berta Helene Amalie Riefenstahl) (lā`nē rē`fənshtäl', bĕr`tə hālā`nə ämäl`yə), 1902–2003, German filmmaker, b. Berlin. First a dancer, then an actress, she began directing her own films in 1932. Her Triumph of the Will (1935) documented a huge Nazi rally at NurembergNuremberg
, Ger. Nürnberg , city (1994 pop. 498,945), Bavaria, S Germany, on the Pegnitz River and the Rhine-Main-Danube Canal. One of the great historic cities of Germany, Nuremberg is now an important commercial, industrial, and transportation center.
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 using such innovative techniques as moving cameras, telephoto lenses, and unusual camera angles to produce startling black-and-white footage with wide panoramas and striking closeups, thus dramatizing and glamorizing the ritualistic political event. The film brought her widespread attention as well as HitlerHitler, Adolf
, 1889–1945, founder and leader of National Socialism (Nazism), and German dictator, b. Braunau in Upper Austria. Early Life

The son of Alois Hitler (1837–1903), an Austrian customs official, Adolf Hitler dropped out of high school, and
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's favor and friendship, and she was commissioned to film the 1936 Berlin Olympics (Olympia, 1938). The latter film has been hailed for its lyrical technique. Riefenstahl has sometimes been praised as a visionary and a technically pioneering filmmaker. She also, however, has been condemned as a Nazi propagandist, and her 1930s work has been regarded as inseparable from the propaganda purposes for which they were made. Riefenstahl's connections with the Nazis led to her being blacklisted after 1945. Her later film and photographic work includes underwater pictures and studies of Africa.


See her memoir (1993); biographies by G. B. Infield (1976), T. Leeflang (1991), S. Bach (2007), and J. Trimborn (2007); study by C. C. Graham (1986); A. Taschen, Leni Riefenstahl: Five Lives: A Biography in Pictures (2000); R. Müller, dir., The Wonderful, Horrible Life of Leni Riefenstahl (film, 1993).

References in periodicals archive ?
Images courtesy o/Rodchenko Photography by Alexander Lamentjev (Rizzoli Press, 1982) and Olympia: Documentation for the Olympia Film by Leni Riefenstahl and Monique Berlioux (St.
Ironically, the movie maker Leni Riefenstahl, admired by Lilo's father before the Nazi take-over, appears at Lilo's camp looking for extras to play parts in a film she is making.
The irony is that Leni Riefenstahl is always evoked when someone dares to make a pro-Palestinian film or documentary.
Olympic Affair" is a historical novel delving into a potential and unusual coupling, drawing much from history and personal memoirs of German filmmaker Leni Riefenstahl.
They draw inspiration from bands such as Dead Can Dance, Joy Division, Depeche Mode, Death in June and film directors Leni Riefenstahl, Fritz Lang, David Lynch, as well as the literary works of Rumi, Nietzsche, and William S.
Hitler's favourite filmmaker Leni Riefenstahl was sent to the slopes of Mount Olympus to film the rays of the sun igniting the torch to start its journey to Berlin.
Filmmaker Leni Riefenstahl later staged the torch relay for her film Olympiad.
We believe this was done before the 1936 games and there is a suggestion that Hitler's propaganda film-maker Leni Riefenstahl may have been involved and we are seeking to clarify that.
They did so in the hope that the "New Sudan" promised by the SPLA would end their marginalization and win space and respect for indigenous Nuba languages, religious observances and culture -- most spectacularly, the wrestling and body art immortalized in the photographs of Leni Riefenstahl and George Rodger.
In his scathing critique of Ray Mueller's documentary The Wonderful, Horrible Life of Leni Riefenstahl, Kansteiner correctly accuses Mueller of failing to set the record straight of the inaccuracies and lies in Riefenstahl's interviews, but fails to mention Mueller's use of editing to undermine some assertions, such as her denial of close ties to Goebbels.
En The Guardian, Stephen Armstrong sugirio que el pasado nazi de Adolf Dassler, el fundador de Adidas, contagio a Nike, que ahora hace comerciales como si fueran de Leni Riefenstahl.
In addition--and crucial to my argument--I examine the lives of two women working during the transition between the Weimar and National Socialist periods in Germany: Leni Riefenstahl and Leontine Sagan.