Leonid Iakobson

Iakobson, Leonid Veniaminovich

 

(also Yakobson, Jacobson). Born Jan. 2 (15), 1904, in St. Petersburg; died Oct. 18, 1975, in Leningrad. Soviet dancer and choreographer. Honored Art Worker of the RSFSR (1957).

Iakobson graduated from the Leningrad Choreographic School in 1926 and danced at the Leningrad S. M. Kirov Theater of Opera and Ballet until 1933. He was a dancer and choreographer with the Bolshoi Theater from 1933 until 1942, when he returned to the Kirov Theater as a choreographer.

In his search for new means of expression, Iakobson employed forms and devices from related arts, such as painting, sculpture, and cinema. His productions included Iarullin’s Shurale (also staged as Ali-Batyr; 1950; State Prize of the USSR, 1951), Khatchaturian’s Spartacus (1956, 1962), Firtich and Otkazov’s The Bedbug (1962), and Tishchenko’s The Twelve (1964). In 1970, Iakobson organized a new company in Leningrad, Choreographic Miniatures, and served as its artistic director. His productions for Choreographic Miniatures included Contrasts to music by Stravinsky and Exercise XX to music by Bach.

REFERENCE

Dobrovol’skaia, G. N. Baletmeister Leonid Iakobson. Leningrad, 1968.
References in periodicals archive ?
(Here is another bridge between Naroditskaya's and Ezrahi's books: both treat a return of the repressed--the discredited 18th-century queens in Naroditskaya's case, the discredited ballet steps in Ezrahi's.) She reserves her final two chapters for the careers of the two most prominent maverick Soviet choreographers of the 1960s, Leonid Iakobson in Leningrad and Iurii Grigorovich in Moscow, whose respective 1968 ballets, The Bedbug and Spartacus, offer the proof of this "artistic repossession."
See also Galina Nikolaevna Dobrovol'skaia, Baletmeister Leonid Iakobson (Leningrad: Iskusstvo, 1968).