Liviu Ciulei


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Ciulei, Liviu

 

Born July 7, 1923, in Bucharest. Rumanian stage director, artist, and actor. Honored Artist of the Socialist Republic of Rumania (1958).

Ciulei graduated from the Architectural Institute and the Drama Conservatory in Bucharest in 1946. He began his stage career as a designer. He joined the Municipal Theater in Bucharest (since 1961, the L. Sturdza-Bulandra Theater) in 1948 as a designer and actor; he later became a stage director, and he headed the theater from 1962 to 1972. Ciulei has designed and played the leading roles in a number of his own productions. In 1958 he played V. I. Lenin in Pogodin’s Man With a Gun. His other roles have included Treplev in Chekhov’s The Seagull and Protasov in Gorky’s Children of the Sun. He has staged Nash’s The Rainmaker (1957), Gorky’s Children of the Sun (1960) and The Lower Depths (1975), and Brecht’s The Threepenny Opera (1964).

Ciulei began working in motion pictures in 1951. His films, which have proved highly significant for the development of Rumanian cinematography, include Eruption (1959), Waves of the Danube (1959; in Soviet release, The Turbulent River), and The Forest of the Hanged (based on the novel by L. Rebreanu; 1964).

References in periodicals archive ?
In London, Porteous's eyes were opened to the work of seminal Czech scenographer, Josef Svoboda and Romanian director, Liviu Ciulei, among other great European theatre artists.
The Guthrie will eventually win the 1982 Regional Theatre Tony Award with artistic director Liviu Ciulei at the helm.
Unlike the high post-modernism of Liviu Ciulei in the early 1980s or the eclectic aestheticism and focus on company development of his immediate predecessor, Garland Wright, Dowling's approach seems decidedly unchallenging--aimed at subscribers, donors, and politicians who, even in a period of fiscal austerity, are financing the new theatre complex on the Mississippi riverfront.
This tract of a play about the poison of prejudice is a pretty excruciating evening; as staged with a stern hand by Romanian director Liviu Ciulei, the show has the dull flavor and thick consistency of cold porridge.
The stark, off-center columned facade, designed by Liviu Ciulei, evoked the demons lurking behind the surface propriety of the Mannon mansion, and Ciulei's plain, well-appointed interiors suggested a nineteenth-century bourgeois household.
This book examines in detail some examples of American directorial 'rewrightings', from the 1960s onwards, of 'classic' plays: of the Greek and Roman theatre (by Andrei Serban, Richard Schechner, and Lee Breuer); of Shakespeare (Joseph Papp, Robert Woodruff, JoAnne Akalaitis, and Breuer); of Moliere (Serban, Garland Wright, Richard Foreman, Liviu Ciulei, and Lucian Pintilie); of a Mozart trilogy, by Peter Sellars.
The role of the avant-garde director has deep roots in pre-1989 behavior; winning awards at international festivals for their experimental work was a recognized path out of Communist oppression and into western employment for Liviu Ciulei and several others.
Looking back to the play's last major New York incarnation, directed by Liviu Ciulei for the Circle in the Square in 1978, Stanley Kauffmann wrote, "Gogol's comedy, loved by so many readers, is weak on stage today.
He went on press junkets, attending premieres and screenings and calling things whatever way he saw them--all this while teaching his class and offering service as a dramaturg to Liviu Ciulei at the Guthrie, his spiritual home.
Max Frisch's "Andorra," directed by Liviu Ciulei, starts performances April 2, opening April 7.
Liviu Ciulei was an architect, a stage designer, an actor and a director.
From 1980 to 1983, Wright served as associate artistic director to Liviu Ciulei at the Guthrie and went on to Washington, D.