Lodovico Ariosto

The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Ariosto, Lodovico

 

Born Sept. 8, 1474, in Reggio, Emilia; died July 6, 1533, in Ferrara. Italian poet.

Ariosto wrote plays and occasional verses. Among his “minor works” (opere minori) are Latin poems—hexameters, odes, elegies, and epigrams—and Italian poems—sonnets, madrigals, and canzonas on amorous themes. In his Satires, Ariosto imitated Horace. Five Italian comedies, among them The Necromancer (1520) and The Bawd (1528), are part of Ariosto’s minor works. Of outstanding importance is his narrative poem in octavos, Orlando Furioso, which was published in 40 cantos in 1516 (2nd ed., 1521) and in 46 cantos in 1532. Ariosto, so to speak, had continued M. Boiardo’s Orlando Innamorato, combining the thematic elements of the French epic with the chivalric cycle of the romances of the Round Table. But in fact he had written a new kind of humanistic narrative poem, independent of his predecessors. Ariosto’s narrative poem has been translated into all European languages. In Russia, Orlando Furioso was translated from French (2 parts, 1791–93). S. E. Raich made an incomplete translation in iambic tetrameter

(2 vols., 1832–33).

WORKS

Orlando Furioso. Edited by E. Vittorini. Turin, 1951.
Lettere, 3rd ed. Edited by A. Cappelli. Milan, 1887.
Le satire. Edited by G. Tambara. Leghorn, 1903.
Lírica. Edited by G. Fatini. Ban, 1924.
In Russian translation:
Neistovyi Roland: Izbr. mesta. Translated by A. I. Kurosheva;edited by A. A. Smirnov. Leningrad, 1938. (With Introduction by A. A. Vishnevskii.)

REFERENCES

Gaspari, A. Istoriia italianskoi literatury, vol. 2. Moscow, 1897.
Rozanov, M. N. Pushkin i Ariosto. Moscow, 1937. Pages 375–412.
De Sanktis, F. Istoriia italianskoi literatury, vols. 1–2. Moscow, 1963–64.
Ravá Pergola, B. Il poeta delle fiabe (L. Ariosto e il suo poema). Milan, 1957.
Natali. G. L. Ariosto. Florence, 1967. (Bibliography, pp. 153–58.)
Fatini, G. Bibliografia della critica ariostea (1510–1956). Florence, 1958.

I. N. GOLENISHCHEV-KUTUZOV

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
Likewise, Bertoglio writes that Lodovico Ariosto created the term "humanism" (p.
Lodovico Ariosto. Edited and translated by Dennis Looney and D.
Examining the text of Lodovico Ariosto's Orlando Furioso and Robert Greene's The History of Orlando Furioso reveals ways in which Greene's adaptation alters Ariosto's original portrayals of madness and the fates of his characters to shift the focus away from religion as the essential determinant of identity and presents a world in which identities are established primarily through geography.
Lodovico Ariosto s Orlando Furioso ('Raging Roland') was first published in 1516 as a continuation of the narrative in Matteo Maria Boiardo's 1495 Orlando Innamorato ('Orlando in Love).
The King of Court Poets: A Study of the Work, Life and Times of Lodovico Ariosto. New York: E.
(72) See Edmund Gardner, The King of Court Poets: A Study of the Work Life and Times of Lodovico Ariosto (New York: E.P.
Entre as inumeras edicoes das quais foi responsavel, encontram-se obras de autores do seculo XIV como Dante Alighieri (1265-1321), Francesco Petrarca (1304-1374) e Giovanni Boccaccio (1313-1375), e contemporaneos, como Lodovico Ariosto (14741533), Pietro Bembo (1470-1547) e Baldassare Castiglione (1478-1529).
In this instance, the text was Ariosto's Orlando Furioso (famously "Englished" in 1591 by John Harrington and bought to the stage by Robert Greene three years later), about which Fuchs remarks in her discussion of the juego de canas, "Lodovico Ariosto, despite his frequent calls to Charles V to lead Europe against the Turks, portrays ...
It was believed to be a portrait of Lodovico Ariosto, court poet of Ferrara and author of Orlando Furioso, who was an older contemporary of the painter.
32v), Lodovico Ariosto (39v), Ridolfo Arlotti (37v), Giulio Camillo (38r), Bartolomeo Carli (32r), Giuliano Goselini (39r, 39v, 40r), Giovanni Guidiccioni (38r), and Girolamo Parabosco (37v).
A leading figure in Carolingian legends and in Matteo Maria Boiardo 's Orlando Innamorato and Lodovico Ariosto 's Orlando Furioso.