Lorenzo Lotto


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Lotto, Lorenzo

(lōrĕn`tsō lôt`tō), c.1480–1556, Venetian painter. His work reflects the influence of several great contemporaries from Bellini to Titian, but preserves throughout a fine sensibility and intimacy quite his own. Notable among his early works are St. Jerome (Louvre); the fresco Annunciation (Church of San Domenico, Recanati, Italy); and Madonna and Saints (cathedral, Asolo, Italy). Of a later period are Bridal Couple (Prado); Christ and the Adulteress (Louvre); and portraits in the galleries of London, Milan, Rome, and Vienna. After 1554 Lotto lived with the monks of the sanctuary at Loreto, where his Presentation in the Temple remains. He is represented in numerous American collections including the Philadelphia Museum; the National Gallery of Art, Washington, D.C.; and the Metropolitan Museum.

Bibliography

See study by B. Berenson (1955).

Lotto, Lorenzo

 

Born circa 1480 in Venice; died 1556 in Loreto, in Marches. Italian painter.

Lotto’s work reflects Venetian and Lombard traditions and the influence of Raphael, Correggio, and the Northern European masters. Painting during the crisis of Renaissance art, Lotto imparted to his works emotional tension and sometimes exaggerated exaltation. His religious compositions, including the frescoes in the Oratorio Suardi in Trescore (1524) and the St. Lucy Altarpiece (1532, Pinacoteca del Commune, lesi), have varied settings. The figures, settings, and landscape backgrounds are particularly realistic. Lotto’s portraits, such as Portrait of a Youth (c. 1506-08, Museum of Art and History, Vienna), are in exquisite and brilliant colors and combine sharp character studies with emblematic details.

REFERENCES

Shcherbacheva, M. I. “Portrety Lorentso Lotto v Ermitazhe.” In Trudy Gosudarstvennogo Ermitazha, vol. 8. Leningrad-Moscow [1964].
Berenson, B. Lorenzo Lotto. London-New York, 1956.
L. Lotto. Il libra di spese diverse: Con aggiunta di lettere e di altri documenti. Venice-Rome, 1969.
References in periodicals archive ?
E curioso che (salvo il plauso di pochi ma celeberrimi addetti ai lavori, fra cui Cecchi, Contini, Praz) relativamente scarse attenzioni siano state rivolte a una breve ma densa monografia, risalente al 1953, in cui la scrittrice si occupa di un artista non meno importante della Gentileschi: Lorenzo Lotto.
ALL THAT GLITTERS If it's controversial to claim that Lorenzo Lotto used optical aids, then it's even more so to say the same of Jan van Eyck, a Flemish artist who was painting a century before Lotto.
The term, "Lotto carpet" (well-defined in The Eastern Carpet in the Western World by Donald King and David Sylvester [London, 1938]) named after the sixteenth-century Italian artist, Lorenzo Lotto, who used them extensively in his paintings, is briefly considered.
The reproduction of a Renaissance portrait takes on a different perspective when rebaptized Young Man Looking at Lorenzo Lotto, 1967.
Gentile da Fabriano was a rare and influential export from this area, and Urbino was to produce Raphael, Bramante and Barocci, but major altarpieces for the Marche were commissioned from Giovanni Bellini and Antonio Vivarini, in Pesaro, and the market in the later quattrocento was dominated by Carlo Crivelli, just as another Venetian painter, Lorenzo Lotto, was to dominate the Marche in the cinquecento.
In her paintings, easily recognizable historical prototypes--in the recent show, they included the likes of Velazquez, Mantegna, Lorenzo Lotto, Dosso Dossi, and Piero di Cosimo--rise again, but twisted and rendered dumb.
As well as tuition in technique, the functions of prints in earlier times are discussed in the light of the gallery's paintings, such as this Portrait of a woman inspired by Lucretia (detail) by Lorenzo Lotto, (+ 44 [0] 20 7747 2885)
This approach not only influenced Bernard Berenson in his work, most notably his celebrated monograph on Lorenzo Lotto, but also has continued to be used, with many elaborations and adaptations, by all those engaged in connoisseurship.
The Milan artist Maurizio Arcangeli's pencil drawing Giovane che ri-guarda Lorenzo Lotto (Young man looking at Lorenzo Lotto again, 1981-82) is a copy of a Lotto work that Paolini too has copied, though mechanically, in a photograph.
Costanza Barbieri, Specchio di Virtu: il consorzio della Vergine e gli affreschi di Lorenzo Lotto in San Michele al Pozzo Bianco
La Nascita della Vergine di Lorenzo Lotto in San Michele al Pozzo Bianco.