Lorenzo Lotto


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Lotto, Lorenzo

(lōrĕn`tsō lôt`tō), c.1480–1556, Venetian painter. His work reflects the influence of several great contemporaries from Bellini to Titian, but preserves throughout a fine sensibility and intimacy quite his own. Notable among his early works are St. Jerome (Louvre); the fresco Annunciation (Church of San Domenico, Recanati, Italy); and Madonna and Saints (cathedral, Asolo, Italy). Of a later period are Bridal Couple (Prado); Christ and the Adulteress (Louvre); and portraits in the galleries of London, Milan, Rome, and Vienna. After 1554 Lotto lived with the monks of the sanctuary at Loreto, where his Presentation in the Temple remains. He is represented in numerous American collections including the Philadelphia Museum; the National Gallery of Art, Washington, D.C.; and the Metropolitan Museum.

Bibliography

See study by B. Berenson (1955).

Lotto, Lorenzo

 

Born circa 1480 in Venice; died 1556 in Loreto, in Marches. Italian painter.

Lotto’s work reflects Venetian and Lombard traditions and the influence of Raphael, Correggio, and the Northern European masters. Painting during the crisis of Renaissance art, Lotto imparted to his works emotional tension and sometimes exaggerated exaltation. His religious compositions, including the frescoes in the Oratorio Suardi in Trescore (1524) and the St. Lucy Altarpiece (1532, Pinacoteca del Commune, lesi), have varied settings. The figures, settings, and landscape backgrounds are particularly realistic. Lotto’s portraits, such as Portrait of a Youth (c. 1506-08, Museum of Art and History, Vienna), are in exquisite and brilliant colors and combine sharp character studies with emblematic details.

REFERENCES

Shcherbacheva, M. I. “Portrety Lorentso Lotto v Ermitazhe.” In Trudy Gosudarstvennogo Ermitazha, vol. 8. Leningrad-Moscow [1964].
Berenson, B. Lorenzo Lotto. London-New York, 1956.
L. Lotto. Il libra di spese diverse: Con aggiunta di lettere e di altri documenti. Venice-Rome, 1969.
References in periodicals archive ?
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The first grouping assembles luminous portraits in oil, executed between about 1450 and 1500 by Giovanni Bellini, Antonello da Messina, Lorenzo Lotto, and Hans Memling, plus one attributed to Petrus Christus and one by a follower of Jan van Eyck.
Marsilio Cassotti and his Wife Faustina (detail), 1523, Lorenzo Lotto (c.
Caption: Below, right: Lorenzo Lotto, Triplice rittratto di orefice (Goldsmith In Three Views), ca.
1504-1506), L'allegoria della virttu e il vizio di Lorenzo Lotto (1505) e I musicisti di Giovanni Cariano (ca.
Using scanning electron microscopy and other analytical techniques, Berrie examined a sample taken from Lorenzo Lotto's 1522 painting St.
The collection was particularly strong in portraiture; apart from the dynastic portraits of the Gonzaga family, these included Titian's Portrait of a Young Woman at the Mirror (1515, Louvre), Lorenzo Lotto's Triple Portrait of a Goldsmith (1530, Kunsthistorisches Museum, Vienna), and Sofonisba Anguissola's wonderfully capricious self-portrait, which mocks male artists' domination of the genre (Bernardino Campi paints Sofonisba Anguissola, 1556, Siena).
Among the most distinctive paintings in this category were half a dozen or so works by Lorenzo Lotto.
Donatello provides a bridge to the second half of the book: three chapters that focus in turn on three Venetian greats--Giovanni Bellini, Lorenzo Lotto and Titian.
Contract notice: transportation service of the temporary exhibition "lorenzo lotto.Retratos" at the museo nacional del prado
Featuring paintings not only by those mentioned in the title, but also, among others, Sebastiano del Piombo, Lorenzo Lotto, Giovanni Girolamo Savoldo, and Paris Bordone, the exhibition is organized by theme, not by artist.
Much of the discussion has focused on two paintings: "Husband and Wife" by Lorenzo Lotto and "Portrait of Giovanni Arnolfini and His Wife" by Jan van Eyck.