Lorenzo Monaco


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Monaco, Lorenzo:

see Lorenzo MonacoLorenzo Monaco
, c.1370–1425?, Italian painter, one of the leading artists in Florence at the beginning of the 15th cent. His real name was Piero di Giovanni. Born in Siena, he came to Florence (c.1391) and became a Camaldolite monk.
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Lorenzo Monaco

(lōrĕn`tsō mō`näkō), c.1370–1425?, Italian painter, one of the leading artists in Florence at the beginning of the 15th cent. His real name was Piero di Giovanni. Born in Siena, he came to Florence (c.1391) and became a Camaldolite monk. His early works show a Sienese influence, evidenced in his sophisticated use of line and delicate rendering of texture. His only signed work is the Coronation of the Virgin (1414; Uffizi). His Adoration of the Magi (Uffizi) reflects the international Gothic style, with its elongated figures and rich pageantry. Other works include an altarpiece, Annunciation, and frescoes from the Life of the Virgin (Bartolini Chapel, Santa Trinita, Florence); a smaller Coronation of the Virgin (National Gall., London); a Madonna and Child (Metropolitan Mus.); and a Madonna and Child (National Gall. of Art, Washington, D.C.).

Bibliography

See B. Berenson, The Drawings of the Florentine Painters (Vol. II and III, 1938, repr. 1970).

References in periodicals archive ?
Through this concession, consumers can enjoy the works of Botticelli, Leonardo da Vinci, Eugene Delacroix, Piero della Francesca, Lorenzo Monaco, Rosso Fiorentino and many more.
Lorenzo Monaco has joined Circo; he's a native of Rome and has built his knowledge through a career in Italy.
Born near Florence, Angelico trained in the workshop of the highly accomplished Lorenzo Monaco, collaborating with him on small narrative panels and manuscripts.
1387) believed to be a very early work by Lorenzo Monaco (c.
Team member Lorenzo Monaco from ESO describes how important HARPS was in their work.
Monastic art in Lorenzo Monaco's Florence; painting and patronage in Santa Maria degli Angeli, 1300-1415.
Born Guido di Pietro, north of Florence, to "parents unknown," during the last decade of the 14th century, "Fra Angelico" began his apprenticeship with the respected artist Lorenzo Monaco but soon developed his own individual style, introducing a sense of realism that was gentle and serene.
George Codex, Don Silvestro dei Gherarducci, Don Simone Camaldolese, Lorenzo Monaco, Fra Angelico, and Zanobi Strozzi, among others.
Among the exhibited pieces by Lorenzo Monaco (1367/mid 1370s-1423/4) there are two items with instruments: a panel representing King David (Metropolitan Museum of Art, 65.14.4; catalogue No.
Twelve composers are represented here, the works of each in a single coherent group, each section opening with an apparent portrait of the composer in an elaborately decorated frontispiece now identified as the work of a painter close to Lorenzo Monaco, working at the Florentine house of Santa Maria dei Angeli early in the second decade of the 15th century.
Rediscovered in an English private collection, it has been attributed to the 15th-century Florentine painter Piero di Giovanni, known as Lorenzo Monaco after he entered the monastery of Santa Maria degli Angeli in 1391.
Lorenzo Monaco (ESO, Chile), also involved in the study, indicated, "The star we have studied is extremely metal-poor, meaning it is very primitive.