Louis-Ferdinand Céline

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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Céline, Louis-Ferdinand

 

(pen name of Louis-Ferdinand Destouches). Born May 27, 1894, in Courbevoie; died July 1, 1961, in Meudon. French writer. Physician by training.

In the novels Journey to the End of the Night (1932; Russian translation, 1934) and Death on the Installment Plan (1936), Céline naturalistically depicted the horrors of bourgeois existence and the transformation of “the little man” into a wolf among wolves. In 1936 he visited the USSR, and in the same year he wrote the pamphlet Mea culpa, a slanderous attack against communism. An apologist for fascism, he advocated anti-Semitism (the pamphlet Bagatelles for a Massacre, 1937), defended Hitlerite racism (the pamphlet The School of Corpses, 1938), and fawned over the fascist German occupation forces (the pamphlet A Fine Mess, 1941). Céline expressed his bitterness over the defeat of fascism in the memoirs A Fairy Play for Another Time (1952). The autobiographical chronicles Castle to Castle (1957) and North (1960) deal with the final struggles of the collaborationists and the last days of the fascist regime.

WORKS

Romans. Paris, 1962.

REFERENCES

Shkunaeva, I. D. Sovremennaia frantsuzskaia literatura. Moscow, 1961.
Vitoux, F. L.-F. Céline: Misère et parole. [Paris, 1973.]
Guenot, J. L.-F. Céline damné par l’écriture. [Paris, 1973.]

V. P. BALASHOV

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
In the recent years, titles ranging from uncensored version of Plato's Symposium to Louis-Ferdinand Celine's Journey to the End of the Night and works by James Joyce, Gabriel GarcAia Mrquez, Kurt Vonnegut and Paulo Coelho have been banned by Iran's ministry of culture and Islamic guidance.
In other words, as the French writer and physician Louis-Ferdinand Celine once said, "What is written clearly is not worth much.
Les idees politiques de Louis-Ferdinand Celine. Paris: Librairie Generale de Droit et de Jurisprudence, L.
Semmelweis, novelist Louis-Ferdinand Celine's 1924 fictionalized biography of controversial Vienna obstetrician Ignaz Semmelweis, is certainly a curiosity: a medical thesis (Celine was a hygienist) that reads alternately like fiction, prose poetry, and modernist screed.
However, Mendelson does not dwell on this aspect, but rather on Grant's family influences, his period of study at Oxford in the late 1930s, and his stay in England for much of World War II, and also on the impact of Toynbee (his teacher at Oxford), Heidegger, Louis-Ferdinand Celine, and Simone Weil on Grant's world view.
Leda Tenorio da Motta discute os desencontros da critica suscitados pela obra polemica de Louis-Ferdinand Celine, evocando sua condenacao radical nos anos de pos-guerra, calcada sobretudo na "autoridade sartriana", e sua reabilitacao a partir dos anos 1960, empreendida especialmente pelos colaboradores da revista Tel Quel.
This anthology is full of intriguing references to modern European literary and artistic figures, including such stars of the cultural Right as Louis-Ferdinand Celine, Gottfried Benn, and T.S.
The invocation of Deleuze and Guattari's rhizome fails, however, to acknowledge Greg Hainge's Capitalism and Schizophrenia in the Later Novels of Louis-Ferdinand Celine (New York: Peter Lang, 2001), where the concept is central to the thesis propounded.
Their topics include Louis-Ferdinand Celine's Bagatelles pour un Massacre, alterity and ethics in John Banvile's The Untouchable and Shroud, bodily formation and reading strategies in John Donne's Metempsychosis, Nightwood and the limits of representation, and sentimentality in postmodernist fiction.
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