Ludovico Antonio Muratori


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Muratori, Ludovico Antonio

 

Born Oct. 21, 1672, in Vignola; died Jan. 23, 1750, in Modena. Italian historian.

Muratori became curator of the Ambrosiana Library at Milan in 1695 and chief librarian and archivist for the dukes of Modena in 1700. He published the basic narrative sources of medieval Italian history. His Annals of Italy is a detailed exposition of Italian history, mainly political, from the first century A.D. to 1749. His Medieval Italian Antiquities is devoted to the history of the institutions, manners, and customs of the Italian states from the fifth to the 13th centuries. Muratori also wrote on paleography, numismatics, and philosophy.

PUBLICATION

Rerum italicarum scriptores, vol. 1. Bologna, 1961.

WORKS

Annali d’ltalia, 2 vols. Milan, 1744–49.
Antiquitates Italicae medii aevi, 6 vols. Bologna, 1965.

REFERENCES

Sorbelli, T. Bibliografia Muratoriana. Modena, 1943.
Bezzi, G. II pensiero sociale di L. A. Muratori. Turin, 1922.
Carli, F. de. L. A. Muratori. Florence, 1955.
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References in periodicals archive ?
Foi por meio de um discipulo deixado por Mautfaucon, o monge Benedetto Bacchini (1651-1721), que Ludovico Antonio Muratori (1672-1750) tomou gosto pela erudicao, iniciando a aprendizagem de rudimentos de paleografia.
Broadening the scope from tragedy studies to literature in general, we find the defenses of individual Italian authors cited in the French criticisms, such as Ludovico Antonio Muratori's La vita di A.M.
In this article, I specifically explore the attempt made to restore Italy's literary prominence and the traditional rhetorical strategies of rectification, rebuttal, apologia and reinforcement employed by Ludovico Antonio Muratori (1672-1750) and Pier Jacopo Martello (1665-1727) in their treatises on the form and function of literature.
Benedetto Croce has already called the Neapolitan "the inventor of aesthetic science" in the Vico chapter of his Estetica (1902), then Alfred Baeumler, the author of the most influential--if somewhat latently--history of modern aesthetics (1923), agreed with Croce and wrote that scienzia nouva was in the final analysis an aesthetics (though he dealt with Ludovico Antonio Muratori at length instead, since only the latter had an impact, through "die Sehweizer," on the German aesthetes of the eighteenth century).
In Italy, interest in lay religious associations has deeper roots.(3) A historical survey of the confraternal movement was first carried out by the eighteenth-century savant Ludovico Antonio Muratori. In his Dissertation 75, "De piis laicorum dissertationes" (1742), Muratori noted the abuses that plagued the confraternities of his time and earnestly wished for their reformation.
Following this fascinating historical and philosophical panning of representations of literary vernaculars connecting language and collective character in the XVI century, the author zooms in on two case studies in Chapter 2, "Ut Lingua, Natio: Dominique Bouhours's Genius of the Nation and Ludovico Antonio Muratori's Italian Republic of Letters." The concept of the genie de la langue surfaced for the first time in Amable de Bourzeys's speech to the Academie francaise in 1635, the year of its founding, "as the product of temperament (both 'of the region and of the people'), government, and social customs" (256).
The intellectual sources of this program were eclectic and included seventeenth-century neostoic philosophy, the reform Catholicism of Ludovico Antonio Muratori, and protoliberal strains in the British and continental Enlightenments.