Luigi Pirandello


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Pirandello, Luigi

(lwē`jē pērändĕl`lō), 1867–1936, Italian author, b. Sicily. One of the great figures in 20th-century European theater, Pirandello was awarded the 1934 Nobel Prize in Literature. After an extensive education, he began in the 1890s to write poetry and short stories, many of which reflect his interest in Sicilian folklore. In 1897 he became professor of Italian literature at the Normal College for Women in Rome. Before achieving fame Pirandello had many difficult years. Lack of public recognition, the failure of his father's mining business, and the 14-year-long insanity of his wife may account in part for the pessimism of his work. Pirandello wrote seven novels, among them Il fu Mattia Pascal (1904, tr. The Late Mattia Pascal, 1923) and I vecchi e i giovani (1913, tr. The Young and the Old, 1928), as well as nearly 300 short stories. His fame rests primarily, however, on his intellectual and grotesquely humorous plays. He began writing for the theater during World War I and from that time until his death produced more than 40 dramas. By 1924 his plays were being performed in most of the great cities of the world. The best known include Così è, se vi pare (1917, tr. Right You Are If You Think You Are, 1922), Il piacere dell'onestà (1917, tr. The Pleasure of Honesty, 1923), Sei personaggi in cerca d'autore (1921, tr. Six Characters in Search of an Author, 1922), Enrico IV (1922, tr. Henry IV, 1922), and Come tu mi vuoi (1930, tr. As You Desire Me, 1931). The grim humor of his plays flows from their central theme—the shattering search to distinguish between reality and illusion. Reality he saw as an intangible, and what is taken for reality as a series of illusions. Since truth was not ascertainable, man was condemned to live in moral and cultural confusion, or even anarchy. These alienated beliefs may partly explain Pirandello's acceptance of Mussolini as a man of order. Pirandello's works are influential models for later existential drama.

Bibliography

See studies by W. F. Starkie (3d ed. 1965); O. Büdel (2d ed. 1969), R. Matthaei (tr. 1973), A. Paolucci (1974), D. Radcliff-Unstead (1978), O. Ragusa (1980), and A. Caputi (1988).

Pirandello, Luigi

 

Born June 28, 1867, in Girgenti, now Agrigento; died Dec. 10, 1936, in Rome. Italian writer.

The son of a sulfur-mine owner, Pirandello studied philology at the universities of Rome and Bonn. He began his literary career as a poet, with the collection Joyful Pain (1889). His first short-story collection was Love Affairs Without Love (1894). In the collection Stories for a Year (1922), there can be perceived both traditional verismo and an attempt to reveal the inner world of an ordinary man and his spiritual rebellion against life’s gloom. In the novel The Late Mattia Pascal (1904; Russian translation, 1967), Pirandello revealed the contradiction between the social mask and the true face of man in contemporary bourgeois society.

Pirandello’s plays written between 1910 and 1917 were chiefly such comedies of everyday life in Sicilian dialect as Liolà (1916). These were succeeded by paradoxical philosophic and psychological dramas written in Italian and influenced by idealist concepts. The drama Six Characters in Search of an Author (1921) embodied the contradiction between art and life and presented the social tragedy of persons who are victims of their own masks. The drama To Clothe the Naked (1923) deals with the same problem in another aspect; here the author reveals the hypocrisy of outwardly respectable people. Themes in Henry IV(\921) and The Life I Gave You (1924) are rebellion against reality and the creation of an imaginary world. The subjectiveness of morality and the absence of a boundary between reality and illusion are affirmed in the dramas Each in His Own way (1924) and Tonight We Improvise (1930). Pirandello was awarded a Nobel Prize in 1934.

WORKS

Opere, vols. 1–6. [Milan] 1956–60.
In Russian translation:
Obnazhennye maski. Foreword by G. V. Rubtsova. Moscow-Leningrad, 1932.
Novelly [Foreword by N. Elina.] Moscow, 1958.
P’esy. Foreword by N. Elina. Moscow, 1960.

REFERENCES

Lunacharskii, A. V. Sobr. soch v. 8 tomakh, vol. 6. Moscow, 1965.
Gramshi, A. O literature i iskusstve. Moscow, 1967.
Storia della letteratura italiana, vol. 9. Milan, 1969.
Gardair, J.-M. Pirandello. Paris, 1972.
Barbina, A. Bibliografia della critica pirandelliana: 1889–1961. [Florence, 1967.]

N. G. ELINA

References in periodicals archive ?
Macchia G (1969) Luigi Pirandello. In: Cecchi E e Sapegno N (eds)
A lo largo de este articulo hemos mostrado de que manera es posible realizar una lectura conjunta de dos obras separadas por casi dos siglos: el capitulo "Of personal identity" del Treatise on Human Nature de David Hume y la obra teatral Seipersonaggi in cerca d 'autore de Luigi Pirandello. Esta lectura paralela, hemos sostenido, permite comprender con mayor amplitud, y a la vez profundidad, algunas de las tesis contenidas en ambas obras en lo que respecta al problema de la identidad personal.
Para parte de estas comunidades de ultramar, estigmatizadas por su procedencia humilde y excluidas de los mecanismos del poder, las embajadas culturales de escritores italianos como Luigi Pirandello, Filippo Tommaso Marinetti y Giuseppe Ungaretti se convierten en conducto de mensajes nacionalistas que, forjados por la propaganda del regimen, contribuyen a la reparacion del orgullo patrio.
Characters and Actors in Luigi Pirandello. Oxford: Oxford UP, 1998.
Conforme pode ser visto, as implicacoes sociologicas e subjetivas do advento da modernidade foram captadas pelo romance moderno de Luigi Pirandello, nao apenas na tematica, mas tambem na sua forma viva, que proporciona ao leitor a experiencia do tempo--devido a uma aproximacao ou anulacao da distancia estetica--, fazendo-o sentir a historia de perto e identificar-se com o Moscarda, demoniaco ou cosmicamente integrado, sendo ele um, nenhum ou cem mil, como tambem o e o sujeito, infinito em suas limitacoes.
Se vale lo mismo de Borges, de Italo Calvino que de Garcia Marquez y sobre todo de Luigi Pirandello con su manejo de las identidades fluctuantes.
Senate--including attaching his name to Benito's valuable and important collection of the works of Luigi Pirandello, which is soon to be very publicly donated to UCLA.
STRIKING CORRESPONDENCES OF THOUGHT notwithstanding, there is scant evidence to support the claim that Luigi Pirandello was directly influenced by Friedrich Nietzsche.
The book's German-language title translates as "Menorah, Jewish Magazine for Science, Art and Literature (1923-1932): Materials on the History of a Viennese Zionist Journal." The journal under investigation originally had matching bilingual subtitles as "Illustrated Monthly for the Jewish Home/Illustrierte Monatsschrift fur die Judische Familie." The use of English may have been in part a tip of the hat to New York's Menorah Journal founded in 1915 (later boasting such contributors as Louis Brandeis, Max Brod, Martin Buber, Felix Frankfurter, Luigi Pirandello, and Isaac Bashevis Singer), to which the Viennese journal shows clear parallels and with which it shares similar Jewish cultural goals.
Ramon del Valle-Inclan y Luigi Pirandello son estrictamente contemporaneos, con la diferencia de que Valle nacio y murio un ano antes que Pirandello.
In Paolo and Vittorio Taviani's 1984 film "KAOS" ("Chaos"), it is a strikingly beautiful landscape, populated by sturdy stone architecture, peculiar characters and the stories they recollect and recount.AaAdapted from the work of Sicilian-born philologist, fiction-writer and playwright Luigi Pirandello (1867-1936), the stories related.
THEATRE New Theatre, Park Place, Cardiff Six Characters In Search Of An Author by Luigi Pirandello, 7.30pm.