David Lynch

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David Lynch
David Keith Lynch (1946-01-20) January 20, 1946
Birthday
BirthplaceMissoula, Montana, USA
NationalityAmerican
Occupation
Film director, screenwriter, producer, painter, musician
EducationSchool of the Museum of Fine Arts, Boston

Lynch, David (Keith),

1946–, American film and television writer, producer, and director, b. Missoula, Mont. Trained as a painter, he studied at the Corcoran School of Art, Washington, D.C. (1963–64), the Boston Museum School (1964–65), and the Pennsylvania Academy of Fine Arts, Philadelphia (1965–67). His first feature film, Eraserhead (1977), became a cult favorite and was followed by The Elephant Man (1980), about the deformed Englishman John Merrick; the science fiction film Dune (1984); Blue Velvet (1986), a noir mystery; the road movie Wild at Heart (1990); Lost Highway (1997); The Straight Story (1999), about a man who drives hundreds of miles on a riding lawn mower to see his estranged brother; Mulholland Drive (2001); and Inland Empire (2006). He is perhaps best known for his surrealistic television mystery series, Twin Peaks (1990–91, 2017). He also directed the prequel Twin Peaks: Fire Walk with Me (1992) and a documentary about the rock group Duran Duran (2014), has exhibited his artwork widely, and collaborated on numerous music projects.

Bibliography

See interviews in Lynch on Lynch (ed. by C. Rodley, rev. ed. 2005) and David Lynch: Interviews (ed. by R. A. Barney, 2009); studies by K. Kaleta (1992), E. Sheen and A. Davidson (2004), T. McGowan (2007), E. G. Wilson (2007), G. Olson (2008), T. Jousse (2010), M. P. Nochimson (2014), and D. Lim (2015).

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DAnd on this, the second night of musical tributes to the director at Home, we got to witness the 'Lynchian' though the prism of three very different artists.
In other words, the usual Murakami Lynchian weirdness.
Lewis Carroll's Alice could run wild in Becker's world of gamboling nymphets, drugs, discombobulations in scale--her photograph Interior Corner #6, 1993, with its mouse's-eye view of a bedroom floor, imbues a Lynchian Red Room's enormous door with oneiric oddity.
But they delivered a curveball the following year when they released their first go at an audiovisual album, "ODDSAC." It features vignettes of loosely connected, Lynchian imagery -- some of which is acted out by the band members themselves -- scored to knotty, visceral arrangements.
In Helsinki, the Kiasma Museum's entire top floor is dedicated to Hans Rosenstrom's installation Her Presence Still (2007), a work in which a Lynchian stage-set of red drapes and a plush green armchair awaits the arrival of an uncanny acoustic ghost, transmitted to spectators, one at a time, via headphones.
IThe concept of Lynchian style has really reached another level.
The world's a hell." Joseph Cotten's screed to his niece in Hitchcock's suburban thriller Shadow of a Doubt is often seen as a direct precursor to the Lynchian worldview.
It was hard not to get won over by the finger-snapping sizzle of 'Hands to Myself,' the incantation-like dissonance of 'Nobody,' the slinky 'Kill 'Em With Kindness,' the Lynchian smolder of Lesley Gore's 1963 emancipation ditty, 'You Don't Own Me,' and Selena's
Hosted by Brum Cinema Addicts with specially curated Lynchian music and Blue Velvet cocktails.
You think of films that, while being cult favorites, are often so critically reviled that one Variety reviewer called 1977's Eraserhead, "a sickening bad-taste exercise." You think of a man so peculiar in taste and bearing that someone even thought to coin the term, "Lynchian"--which is essentially a synonym for "weird"--and which UrbanDictionary.com defines as: "You have no f g clue what's going on, but you know it's genius."