It follows, then, my lord,' she added, "that you, who are a man of feeling
, will soon quit France in order to shut yourself up with your wealth and your relics of the past.
This article investigates tears of sympathy as part of a sentimental reading practice in the eighteenth century, and describes how Henry Mackenzie'shovel The Man of Feeling self-consciously enacts the reader's educationvia sympathetic emotional response.
Tears are the crux of both the success and the failure of Henry Mackenzie's first novel, The Man of Feeling (1771).
John Dwyer avers that the role and complexity of tearful scenes in The Man of Feeling have been underestimated by most modern critics of Mackenzie's novel, who take the abundance of tears in the novel to be the sign of melodramatic and self-indulgent emotionalism.
Great Britain experienced "feminization" in the 18th century, primarily through the influence of popular literature; it led to the appearance of the empathetic (and often lachrymose) Man of Feeling
But the middle-class ideal of the man of feeling was not without its inner contradictions.
The man of feeling thus remained a social anomaly in the Dutch Spectators: aristocratic by birth, he had donned a middle-class suit of clothes.
You won't have to wait long to find out in Stephen Oliver's tragicomic opera A Man of Feeling, which runs for just 20 minutes from beginning to end.
Bearing a mysterious dedication to opera critic Rodney Milnes ("whose fault it is"), A Man of Feeling is one of a large number of miniature operas by Oliver.
Scottish novelist, playwright, poet, and editor whose most important novel, The Man of Feeling, established him as a major literary figure in Scotland.
His mawkish novel The Man of Feeling (1771) was a best-seller.
Above all, a chorus of protest decried the 'effeminacy' of the modem man of feeling
who had forsaken the age-old men-only culture of hunting, drinking and whoring.