Maria II

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Maria II

(Maria da Glória), 1819–53, queen of Portugal (1834–53), daughter of Peter IV (Pedro IPedro I
(Dom Pedro de Alcântara) , 1798–1834, first emperor of Brazil (1822–31); son of John VI of Portugal. Dom Pedro was a child when the Portuguese royal family, fleeing from Napoleon's conquering French army, left Portugal for Brazil.
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 of Brazil). Pedro, having succeeded to the Portuguese throne on the death (1826) of his father, John VI, granted a constitutional charter to the Portuguese and then abdicated in favor of Maria. In order to quiet the claims of her uncle, Dom MiguelMiguel
, 1802–66, Portuguese prince; son of John IV of Portugal and younger brother of Pedro I of Brazil. He led an unsuccessful revolt against his father in 1824. On John's death (1826) the Portuguese succession was in dispute.
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, it was arranged that Maria be betrothed to him and placed under his regency. Miguel promised to abide by Pedro's charter, but in 1828, before Maria had arrived in Europe from Brazil, he convened a Cortes, procured an offer of the throne, and set out to rule in absolutist fashion. Maria's father, having abdicated the Brazilian throne, recruited an army from the liberal opponents of Miguel; he also had the assistance of the English. The armed forces gathered and sailed from the Azores to Oporto in 1832. The subsequent fighting in the so-called Miguelist Wars was severe. Miguel capitulated in 1834 after the English had defeated his fleet. Maria's reign was torn by dissension, revolutions, and counterrevolutions. Some progress was made, however, in the building of roads, the first railroad, and schools. Maria married (1836) Ferdinand of Saxe-Coburg-Gotha (Ferdinand IIFerdinand II,
1816–85, king consort of Portugal (1837–53). The eldest son of Ferdinand, duke of Saxe-Coburg-Gotha, he married Maria II (Maria da Glória) of Portugal in 1836.
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 of Portugal). She was succeeded by her son Peter V.
References in periodicals archive ?
Here, Rui Chafes's sculpture was displayed in three quite different spaces: one outside a traditional museum space, the Coleccao Berardo, which houses a collection of twentieth-century art; outdoors, as well, at the Parque da Pena, an enormous garden with ponds and man-made grottoes where the sculptures were placed in direct relation to the landscape's natural and artificial elements alike; and, finally, the interior spaces of the Palacio da Pena, created (as was the park) in the second half of the nineteenth century by a prince consort of German origin, married to Maria II of Portugal and an enthusiast of romantic and esoteric ideas.