Marprelate controversy


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Marprelate controversy

(mär`prĕl'ĭt), a 16th-century English religious argument. Martin Marprelate was the pseudonym under which appeared several Puritan pamphlets (1588–89) satirizing the authoritarianism of the Church of England under Archbishop John Whitgift. The church replied in kind, but silenced the pamphleteer only after a reaction against him by the more conservative Puritans and after the use of police powers by Whitgift. A flood of both Martinist and anti-Martinist literature followed, to which Thomas Nashe, John Lyly, and Richard Harvey are supposed to have contributed. The true identity of Martin Marprelate has never been determined, but John PenryPenry, John,
1559–93, British Puritan author, an instigator of the Marprelate controversy, b. Wales, grad. Cambridge and Oxford. While at college he became an ardent Puritan.
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 may have been the chief author.

Bibliography

See The Marprelate Tracts (ed. by W. Pierce, 1911, repr. 1967); E. Arber, An Introductory Sketch to the Martin Marprelate Controversy, 1558–1590 (1895, repr. 1967); D. J. McGinn, John Penry and the Marprelate Controversy (1966).

References in periodicals archive ?
The homosocial, homoerotic dynamics of the Marprelate controversy, the Harvey-Nashe pamphlets, and the poetomachia are on display in these railing works as well.
The initial chapters offer a detailed discussion of the early consolidation of the pamphlet form in the Marprelate controversy of the 1580s and an analysis of the production and trade of pamphlets that returns to the introduction's emphasis on the matter of pamphlets--their manufacture, look, feel, price, and distribution--providing the reader with a comprehensive overview of the development of the form that will certainly be of interest to anyone pursuing studies in the history of the book.
Raymond's research is meticulous and the evidence he has accumulated effectively carries his points and challenges many longstanding critical assumptions about the role of the pamphlet in the tumultuous century following the Marprelate controversy. In his masterful compilation of evidence, Raymond is at his best.
(17) Those directions appear strikingly in chapter 2, 'Protestant Politics: Leicester and Walsingham, and in a discussion of the Queen's Men and the Marprelate controversy in chapter 3.
Yet, in complicating our understanding of religion/theater relations in the 1580s, the authors observe the central role the Queen's Men in challenging presbyterian puritans (as well as Catholics) near the end of the decade when they were embroiled in the Martin Marprelate controversy, staging plays in defense of the Elizabethan bishops and established church.
He ends his treatment of ecclesiastical matters, for example, with a discussion of the Marprelate controversy, focusing, that is, on a series of texts that was both a contribution to the attack on episcopal authority and an important example of Elizabethan satire.
The Martin Marprelate controversy gave him a further opportunity to exercise his lively wit under the pseudonym of " Pasquil " ; later he entered a bitter controversy with Richard and Gabriel Harvey.
His sophistry, in other words, is like that of Martin Marprelate, whose captivating "straunge phrases" and railings are like the actions of a "stage player," as Lyly writes.(80) The Elizabethan view of the Puritan speaker as dazzling player was not, however, due solely to the Marprelate controversy. The showmanship of popular Puritan pastors was widely acknowledged,(81) and Falstaff's rhetorical tricks--when joined with his other Puritan associations-must have reminded even audiences unfamiliar with the Marprelate controversy of the aural "spectacle" such pastors presented.
The third chapter, on the Marprelate controversy, makes the case that where the "humanist page" framed the text and set interpretive boundaries (102), the manic glosses of the Marprelate participants subverted those conventions.
They were primarily pamphleteers and dramatists; many of them took part in the Marprelate controversy and contributed to the growth of English satire.