Martin Walser


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Walser, Martin

 

Born Mar. 24, 1927, in Wasserburg. German writer, Federal Republic of Germany.

Walser’s literary activity began with the collection Airplane Over the House (1955). The novel Marriages in Philippsburg (1957) depicts the decay of bourgeois morality. Walser’s novel Half Time (1960) is permeated with criticism of West German reality. In the plays The Oak and the Angora Rabbits (1962-63) and Mr. Krott at a Supernatural Magnitude (1964) capitalist society is satirized. The play The Black Swan (1964) relates the crimes committed by the Nazis. The hero of the novel The Unicorn (1966) travels around West Germany and finds himself lonely everywhere. As a journalist, Walser has come out against American aggression in Vietnam. He is a member of “Group 47.”

WORKS

Die Alternative, oder Brauchen wir eine neue Regierung? Reinbek bei Hamburg, 1961.
Lügengeschichten. Frankfurt am Main, 1964.
Die Zimmerschlacht, 2nd ed. Frankfurt am Main, 1968.
Heimatkunde: Aufsätze und Reden. [Frankfurt àm Main, 1968.]

REFERENCES

Kalninia, D. Ia. Sovremennyi zapadnogerm, roman. Moscow, 1969. (Author’s doctoral dissertation abstract.)
Walser, M.: Bibliographie: 1952-1964. Biberbach an der Riss, 1964.

I. V. MLECHINA

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References in periodicals archive ?
Mueller brings in an impressive number of recent texts (mostly since 2005) from authors who belong to three or four different generations or cohorts: Gunter Grass and Martin Walser, alongside Peter Schneider, Bernhard Schlink, Susanne Riedel, Tanja Duckers, Julia Franck, Katharina Hacker, Thomas Meinecke, and Thomas Hettsche, with comparative asides to W.G.
Several works from Dieter Forte, Martin Walser, Marcel Beyer, and W.G.
In the first section of Futurity, Eshel investigates two groups of writers: those who began writing under Nazi rule or its immediate aftermath, including Gunter Grass, Alexander Kluge, and Martin Walser; and others "for whom Germany's Nazi past is but received history, authors who seek to move beyond exhausted language" (37), such as Hans-Ulrich Treichel, Norbert Gstrein, Bernhard Schlink, Katharina Hacker, and W.
La suprema venganza de Reich-Ranicki, la del paria regresando para ejercer de soberano a partir de 1957, fue admitida de mala gana o vista como una reparacion poetica hasta que Martin Walser (1927), un importante novelista no pocas veces sujeto de las criticas del polaco sobreviviente, decidio tomar su revancha y caricaturizo al critico en una novela titulada, precisamente, La muerte de un critico (Tod eines Kritikers, 2002).
Authors Alfred Grosser, David Grossman, Claudio Magris, Orhan Pamuk, Boualem Sansal and Martin Walser warned Assad that his country is "in the process of disappearing" as a result of the 20-month violence that has left nearly 40,000 dead in the letter, published online and dated Dec.
The remarks by Martin Walser and Hermann Hesse stem from a portrait of the author aired on Swiss TV in the 1970s.
Jaspers concludes that this judgment of groups is "always unjust" and "results in the debasement of the human being as an individual." (Jaspers and Basch 40-1) This idea is also stated by Martin Walser,
Among his other titles is a book on Paul Bourget, published in 1976, but since 1980 and his so-called retirement, he has produced an astonishing number and variety of works, authoring, editing, or co-editing The George Sand Conference Papers, Essays on the Literature of Mountaineering, Martin Walser: International Perspectives, The Armand E.
Topics include political dislocation in the poetry of Volker Braun, German exiles in postcolonial Anglophone writing, Stefan Heym's exile poetry as the foundation for his later fiction, East German autobiography after East Germany, identify formation in Ingo Schulze's Handy: Thirteen Tales in the Old Style, and dislocation as a motif in the works of Martin Walser. Nine of the papers are in German and the rest are in English.
Mensajes e-ducativos desde tierra de nadie., y <<Sobre el precio de la investigacion pedagogica>>, de Jan Masschelein y Maarten Simons; <<Pongamonos en marcha>>, de Jan Masschelein; <<Sobre la conversacion>> con uno mismo>>, de Martin Walser; <<Una lengua para la conversacion>>, de Jorge Larrosa; <<Sobre la mirada.
Authors like Christa Wolf, Martin Walser, and Christoph Hein gave readings in our bookstore.
Screenplay, Kathrin Richter, Ralf Hertwig, based on the 1978 novel by Martin Walser. Camera (color, widescreen), Klaus Eichhammer; music, Annette Focks; art director, Renate Schmaderer; costumes, Lucie Bates; sound (Dolby Digital), Steffen Graubaum, Hubertus Rath; casting, An Dorthe Braker.