Maurice Denis


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Denis, Maurice

(môrēs` dənē`), 1870–1943, French painter and writer on art. His paintings, usually on religious themes, have not proved so influential as his art theories. As the spokesman for symbolism and for the NabisNabis
[Heb.,=prophets], a group of artists in France active during the 1890s. Paul Sérusier and Maurice Denis were the principal theorists of the group. Outstanding members were Édouard Vuillard, Pierre Bonnard, Aristide Maillol, Félix Vallotton, and the
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, Denis proposed his famous definition of painting: "Remember that a picture, before being a battle horse, a nude, an anecdote or whatnot, is essentially a flat surface covered with colors assembled in a certain order." In 1919, Denis attempted to revive the teaching of religious art and cofounded the Studios of Sacred Art. His writings include Théories (2 vol.; 1920, 1922) and Histoire de l'art religieux (1939).

Denis, Maurice

 

Born Nov. 25, 1870, in Granville, Normandy; died Nov. 3, 1943, in St.-Germain-en-Laye, near Paris. French painter.

Denis studied in Paris at the Julian Academy and at the Ecole des Beaux-Arts. He was influenced by the work of P. Gauguin. Denis was one of the founders of the Nabis group (1890) and of the Studios of Sacred Art (1919) and was a leader of the “neotraditionalist” school in French painting. His art is representative of the symbolist and art nouveau style. It tends toward bold forms and decorative harmony and at the same time is permeated with a vague, vacillating, and at times religious-mystical feeling. It is characterized by flat stylization, the interplay of rounded and weakly defined contour lines, and light, somewhat excessively sweet colors. Denis painted religious and mythological subjects, portraits, and landscapes (The Artist’s Wife, 1893, Pushkin Museum of Fine Arts, Moscow; Martha and Mary, 1896; the 11-panel Story of Psyche, 1908-09, both in the Hermitage, Leningrad) and executed murals and designs for stained-glass windows and tapestries, as well as theater sets and book illustrations. As a theorist Denis affirmed the primacy of the decorative color principle in painting (Theories, 1912, and New Theories, 1921).

REFERENCE

Jamot, P. Maurice Denis. Paris, 1945.
References in periodicals archive ?
Vale lembrar que esses paradigmas ja vinham sendo discutidos desde o final do seculo XIX, como atesta a celebre frase de Maurice Denis, de 1890:
La interpretacion canonica de Cezanne se desarrollo fundamentalmente a partir de las impresiones que los artistas Emile Bernard (1868-1941) y Maurice Denis (1870-1943) estamparon sobre el artista y sus denodados esfuerzos por conquistar la realizacion pictorica.
En conclusion, je souhaiterais revenir un instant sur Le Voyage d' Urien dont j'ai dit que l'edition originale etait decoree de trente lithographies gravees sur bois par le peintre nabi Maurice Denis, ce qui ajoute un element non negligeable au paratexte du livre.
Maurice Denis revived religious art in the late nineteenth century, after it was neglected for over two-hundred years, a trend that became increasingly popular throughout the twentieth century and the present time.
Cette liberte, on la retrouve egalement chez les artistes religieux s'inspirant de l'<<art vivant>>, comme Maurice Denis et Ozias Leduc, premier maitre de Borduas, qui trouvent leur inspiration dans l'emotion, dans le tremble de la vie, motivation qui est compatible avec une certaine pratique de l'abstraction en tant qu'expression spontanee du reel et en cela geste authentiquement createur.
Lisas, ritmicas y/o estriadas, estas piezas demuestran lo que afirmo el pintor Maurice Denis desde 1980: una pintura es tan solo una superficie con formas y color.
Other artists, such as Rodin, Morisot, and Maurice Denis, display innovation by depicting nude or partly nude women in domestic interiors.
The paintings that McGrath interprets in light of the Easter story in this book include: Maurice Denis' "Holy Women Near the Tomb," Fra Angelico's "Noli me tangere," Guercino's "The Incredulity of St.
Be captivated by Van Gogh's Starry night 1888 and Bedroom at Arles 1889, Gauguin's Tahitian women 1891, Cezanne's beloved Mount Saint-Victoire c 1890, and many other celebrated artworks by artists such as Georges Seurat, Pierre Bonnard, Claude Monet, Maurice Denis, Henri Toulouse-Lautrec and [E']douard Vuillard.
Maurice Denis, has a woman on a beach--green Sea, orange surf, other
Leaving the study of law behind, Bonnard rented a small studio space in 1890 with a few other painters, including Edouard Vuillard and Maurice Denis, fellow members of the Nabis.
9 Bruce Nauman in the 1960s Maurice Denis Museo d'Arte Moderna e through Sept.