Maurice de Vlaminck


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Related to Maurice de Vlaminck: Andre Derain

Vlaminck, Maurice de

(mōrēs` də vlämăNk`), 1876–1958, French painter, writer, and printmaker. At first an avid racing cyclist, he supported himself (c.1900) as a musician and taught himself to paint. Vlaminck early adopted the strident palette and twisted lines of Van Gogh. He rejected the intellectual approach of cubismcubism,
art movement, primarily in painting, originating in Paris c.1907. Cubist Theory

Cubism began as an intellectual revolt against the artistic expression of previous eras.
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, but became associated with fauvismfauvism
[Fr. fauve=wild beast], name derisively hurled at and cheerfully adopted by a group of French painters, including Matisse, Rouault, Derain, Vlaminck, Friesz, Marquet, van Dongen, Braque, and Dufy.
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, applying exuberant colors to the canvas directly from the paint tube. Vlaminck was one of the first artists to be influenced by African sculpture. He advanced from the fauvist style to paint strong, often grim landscapes (e.g., Village in the Snow, Philadelphia Mus. of Art). He repeated these so often that they lost much of their original power. Vlaminck also wrote several novels and books of reminiscences.

Bibliography

See his autobiography tr. by M. Ross (1967); illustrated biographies by P. MacOrlan (1958) and J. Selz (1963).

Vlaminck, Maurice de

 

Born Apr. 4, 1876, in Paris; died Oct. 11, 1958, in Rueil-la-Gadeliere, in Orleans. French painter.

Vlaminck was a self-educated exponent of fauvism who was influenced by Vincent Van Gogh and Paul Cézanne. His early landscapes are dynamic in composition (Red Trees, 1906, National Museum of Modern Art in Paris; and Barges on the Seine, 1907, A. S. Pushkin Museum of Fine Arts in Moscow) full of tense contrasts and dazzlingly bright colors; his later landscapes (Rueil-la-Gadelière, beginning of the 1930’s, private collection) are distinguished by dramatic expressiveness and heavy, gloomy colors. Vlaminck also painted portraits and still lifes and did some easel drawings and black-and-white book illustrations.

REFERENCE

Selz, J. Vlaminck. Paris, 1963
References in periodicals archive ?
The exhibition begins with works by Georges Seurat, the movement's founder, and rounds off with works by artists who were influenced by the movement, such as Matisse, Derain, Kandinsky and Maurice de Vlaminck.
According to Artprice figures, while Maurice de Vlaminck paintings are clearly the market's favourite among Fauvist works, his prices have been almost stable since 1993.
Artists on sale: Henri Fantin-Latour, Auguste Rodin, Pierre-Auguste Renoir, Pablo Picasso, Fernand Leger, Piet Mondrian, Constantin Brancusi, Wassily Kandinsky, Eugene Boudin, Edouard Manet, Paul Gauguin, Raoul Dufy, Maurice de Vlaminck, Kees van Dongen, Rene Magritte, Amedeo Modigliani, Chaim Soutine, Claude Monet, Alexander Archipenko Jacques Lipchitz, Henry Moore, Joan Miro, Henri Matisse, Georges Braque, Alberto Giacometi, etc.
6 /PRNewswire/ -- Weinstein Gallery is privileged to present a unique exhibition of three exceptional French artists, Raoul Dufy, Maurice Utrillo and Maurice de Vlaminck, entitled "Paintings of the School of Paris.
Says Rowland Weinstein, "This golden era of creativity was generated to a great degree by the artistic movements and innovations realized by such artists as Raoul Dufy, Maurice Utrillo and Maurice de Vlaminck who found their own independent and mature voices in this new Ecole de Paris era.
Along with Henri Matisse and Andre Derain, Maurice de Vlaminck completed the triumvirate of major Fauves.