Max Klinger

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Klinger, Max


Born Feb. 18, 1857, in Leipzig; died July 4, 1920, in Grossjena, in the present-day German Democratic Republic. German painter, graphic artist, and sculptor.

In the series of etchings A Life (1881–84), Dramas (1883), A Love (1887), and Of Death (1889, 1898–1910), Klinger combines vivid portrayals of real life and its acute social problems with fantasy and tragic pessimism. It is in his paintings, however, that elements of art nouveau, pretentious mystical symbolism, and naturalism are most evident (for example, Christ on Olympus, 1897, Austrian Gallery of the 19th and 20th Centuries, Vienna). Klinger sought to revive polychromatic sculpture (for example, Beethoven; marble, plaster of paris, and bronze; 1886–1902; Museum of Fine Arts, Leipzig).


Max Klinger. . . . Zum 100. Geburtstag. Leipzig, 1957.
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Or that Max Klinger created fantastical drawings in response to Brahms's songs, from which the composer himself drew inspiration?
The research and critical analysis presented in Morton's book attests to the author's sustained intellectual engagement with Max Klinger and Imperial Germany.
The character of Max Klinger (Jamie Farr), who initially dresses as a woman in order to obtain a deferment and be sent home, challenged traditional perceptions of masculinity.
They've been trying to erect one in Leipzig pretty well since the composer's death, but for one reason or another--the death of the originally commissioned Max Klinger, the abandonment of a second project by Emil Hipp after the war in part because of Nazi support for it--none of the initiatives has come to fruition.
Following exhibitions devoted to the late 19th century German artist Max Klinger and master of the Japanese woodcut, Hiroshige, in the last few years, it has now turned its attention to the late 18th century Northumbrian wood engraver, Thomas Bewick (1753- 1828).
Fine Art (exhibiting at Andrew Wyld); a pen and ink by Max Klinger, Susanna and the Elders, with C.
Among the collection's treasures are etchings from late in Goya's career and works by Max Klinger, Max Ernst, Odilon Redon, Paul Klee, Jean Dubuffet and printmaker Piranesi.
Of all the evidence that Van Rij marshals in support of Brahms's bouquets, perhaps the most fascinating is the comparison between these collections and the graphic cycles of Max Klinger.
Tan destacadas son sus obras que actualmente se exponen junto con las de Francisco de Goya y Max Klinger en el Museo de San Carlos.
Also showing at the Ikon in Oozells Square, Brindley Place, Birmingham, are five series of Max Klinger etchings - the first major exhibition of his work in the UK for many years.
Asi tambien, en el IAGO Toledo deposito casi todos los grabados que produjeron James Ensor y Max Klinger, y la coleccion de Alvarez Bravo incluye un par de trabajos de cada uno de estos artistas, que coincidentemente son de los cinco o seis que no tiene el IAGO.
Max Klinger (Jamie Farr), the soldier forever bucking for a Section Eight discharge (mental instability) by donning women's clothing.