Max Slevogt

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Slevogt, Max

Born Oct. 8, 1868, in Landshut, Bavaria; died Sept. 20, 1932, on the estate of Neukastel, Palatinate. German painter and graphic artist; representative of late impressionism.

Slevogt studied under W. Dietz at the Academy of Fine Arts in Munich from 1885 to 1889 and attended the Académie Julien in Paris in 1889. His works, which include portraits, landscapes, and still lifes, are characterized by a somewhat sketchy treatment of form, bold, flowing brushstrokes, and an emotional atmosphere created by the use of chiaroscuro (D’Andrade as Don Juan, 1912. National Gallery, Berlin; landscapes of Egypt, 1914, Dresden Picture Gallery). Slevogt was also an illustrator.

REFERENCE

Imiela, H.-J. M. Slevogt. Karlsruhe, 1968.

References in periodicals archive ?

By the end of his time as state premier Kohl's government had expanded support for artists and promoted the legacies of the painter Max Slevogt and the writer Carl Zuckmayer, who both came from Rhineland-Palatinate.

'Cultural sovereign' Helmut Kohl built an unlikely legacy

The subject of Mifgasch is a famous gathering that took place in the villa in 1927 at the behest of industrialist Janos Plesch, including such luminaries as Albert Einstein and the painter Max Slevogt.

Dani Karavan

Artists not already mentioned include the two older stars of the Paul Cassirer Verlag, Max Liebermann and Max Slevogt, the two younger leading lights, Barlach and Kokoschka, and many others (Gaul, Kolbe, Meidner).

Ein Fest der Kunste: Paul Cassirer. Der Kunsthandler als Verleger

2), Oskar Kokoschka, Max Beckmann, Georg Kolbe, Max Slevogt, August Gaul and many more.

Art dealer, publisher, Jew: Vera Grodzinski welcomes an account of the career of Paul Cassirer, the art dealer and publisher who did so much to introduce French modernism to Germany

While he appreciated what the French impressionists had achieved, he wanted to and did encourage the German variety via Max Liebermann, Leopold von Kalckreuth, Lovis Corinth, and Max Slevogt.

Cultural politics in Hamburg

Literature and the visual arts also play a large role (in chapter 2 alone she discusses a set of engravings by Max Slevogt, a fairy tale by Louis Chevallier de Mailly, a satiric essay by Jean Paul, and a variety of sketches depicting scenes from Die Zauberflote).