Menam


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Menam

or

Menam Chao Phraya,

river, Thailand: see Chao PhrayaChao Phraya
, Mae Nam Chao Phraya,
or Menam Chao Phraya
, chief river of Thailand, c.140 mi (230 km) long, formed by the confluence of the Ping (c.300 mi/480 km long) and the Nan (c.500 mi/800 km) rivers at Nakhon Sawan, W central Thailand.
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References in periodicals archive ?
The journey through the MENAM section begins with a six-meter-wide interactive wall display of giant jigsaw-puzzle pieces made of plastic, magnets and iron sheets, all of which are painted white.
Here then we have four new polities, three of which are closely linked to the sea, arising in the twelfth to thirteenth centuries in the Menam valley.
DAY 5 AYUTTHAYA North of the capital through the fertile Menam lowlands is Thailand's "rice bowl.
As many as sixty-six royal balons (or richly decorated gondolas) awaited Chaumont and his party at the mouth of the Menam Chao Phraya, where a particularly splendid vessel was reserved for the ambassador and Choisy.
This must be considered in the light of a growing opinion that at this time the population of the Menam basin was possibly more Mon or Khmer in its culture.
In August 1886, with what authority was not clear, he proposed an effective dismemberment of Siam by Britain and France, leaving to Bangkok only the central Menam valley.
The more ambitious French colonialists saw the acquisition of the Lao territories as a step towards imposing French control over Siam,(19) even though given the dominant position Britain enjoyed in the valley of the Menam Chao Phaya, this was never a realistic hope.
Tokios lankscios, skirtingiems mokymo(si) budams tinkamos klases reikalingos humanitarinems disciplinoms, menams, technologijoms, sportui, dramai (Hille 2011).
Taigi menams pasidalinus i dailiuosius ir taikomuosius (literaturoje daznai pasitaiko savokos mechaniniai ar techniskieji menai (Gaizutis 2004: 171)--J.
Kurybines ir kulturos industrijos tampa reiksmingos, kaip priemone perorientuoti kulturos politika nuo jai iprasto suvokimo, kad menus (ypac vadinamaja "aukstaja kultura") reikia remti tik del ju vidines vertes ir kulturines reiksmes visuomenei (menininkai visada kuria spontaniskai ir visuomenes reikalavimu kelimas menams yra kolektyvines diktaturos primetimas kurybiniam genijui) link ekonominiu imperatyvu.
Konkursai yra ypatinga architektu kurybos sritis, suteikianti jiems auksciausia, budinga tik vadinamiesiems "gryniesiems" menams, autonomijos laipsni, del kurio architektura yra menas, bet ne paslauga, o architektas yra kurejas, o ne amatininkas.