Mesopotamian art

Mesopotamian art:

see Assyrian artAssyrian art.
An Assyrian artistic style distinct from that of Babylonian art (see Sumerian and Babylonian art), which was the dominant contemporary art in Mesopotamia, began to emerge c.1500 B.C. and lasted until the fall of Nineveh in 612 B.C.
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; Hittite art and architectureHittite art and architecture,
works of art and structures created by the ancient Hittites Background

The Hittite invaders of central Anatolia (the area that is present-day W Turkey) came from the east c.2000 B.C. and by 1400 B.C. were masters of all of Asia Minor.
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; Phoenician artPhoenician art.
The Phoenician region developed as a major trade center of the ancient world; consequently Phoenician art clearly reflects the influences of Egypt, Syria, and Greece.
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; Sumerian and Babylonian artSumerian and Babylonian art,
works of art and architecture created by the Sumerian and Babylonian peoples of ancient Mesopotamia, civilizations which had an artistic tradition of remarkable antiquity, variety, and richness.
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References in periodicals archive ?
"The use of a bridle bit on a donkey during this period is surprising, since it was commonly assumed that donkeys were controlled with nose rings, as depicted in Mesopotamian art," said Aren Maeir, from Bar-Ilan University's Martin (Szusz) department of Land of Israel Studies and Archaeology.
It is, however, doubtful that Pa-bil-sag was originally envisioned as an archer-centaur: Centaurs do not appear in Mesopotamian art until the late 2nd millennium BC, and centaur-archers even later.
Sculpted animals, in realistic or fantastic form, were a common feature of Mesopotamian art. In the world's earliest settlements these figures negotiated the relationship between humans and gods.
For more on the portrayal of the monkey in Mesopotamian art, see also Hilzheimer (1928) and van Buren (1939:22-24).
Al-Sayyed states that many researchers say it's obvious that the Greek sculptors who came after those eras drew inspiration from ancient Levantine and Mesopotamian art, and that their methodology and technique of sculpting and the beauty standards they embraced originated from Syria, and later in history they were passed to the Romans through Sicily, Greek Italy, Campania, and Alexandria.
While erotic Mesopotamian art doesn't detail a specific means of entry, anal sex was deemed a popular means of contraception by ancient couples before the invention of prophylactics.
From Ayad Al-Ameedy at the Iraqi Pavilion using oil on canvass to reinstate the lifelong history of Mesopotamian art, to Hakam Al Tahir at the Jordanian pavilion expressing calligraphy on glass.
Rick Snyderman of Snyderman Gallery cites his frequent encounters with ancient Mesopotamian art at NYC's Metropolitan Museum as the genesis of The Spirit of the Figure, however, as distinctive as they are individually, the sculptors Snyderman selected (Adrian Arleo, Matt Nolan, Jindra Vikova and Richard Shaw) are but four among a multitude of possibilities.
It is noteworthy if not ironical that a single object of Mesopotamian art created a sensation in the New York art market in early December 2007 when it was bought by an unknown collector for 57.6 million US dollars, probably more than the cost of rebuilding and reinstalling the entire National Museum in Baghdad.
The museum has an excellent collection of classical, Oriental, Islamic, Egyptian and Mesopotamian art, plus works by Rembrandt, Rubens and Renoir.
Now, an organization that represents museums in 140 countries has unsheathed a weapon last used in a worldwide push to find some of the objects of Mesopotamian art looted from the National Museum of Iraq in Baghdad after the city fell to U.S.