" history's most evil woman, who features in ep1 of the new series
Nela, Toni Morrison apresenta ao leitor uma fragil unidade familiar formada por uma comunidade de orfaos, a saber Jacob e Rebekka Vaark, Sorrow, Messalina
(Lina) e Florens.
(48.) For other examples of music or sounds before or during dumb shows see Doctor Faustus (1616), E4r; Old Fortunatus, C3r; Warning for Fair Women, Dir, E3v; Antonio's Revenge, C3r, E3r; Devil's Charter, Elr; Two Maids of More-Clacke, Alv; Birth of Merlin, C3r, G4r; Woman is a Weathercock, H3v; Noble Spanish Soldier, Blr, H2r; City Wit, F3v; Queen's Exchange, D4v; Messalina
, Flv; Antipodes, I3v, L3v.
was sung straight without the ironic selfdramatizing element Ian Bostridge finds there.
Bingham's focused examination of the Guard allows for a welcome reconsideration of certain aspects and details of famous events in Roman history in which the soldiers of the Guard played key parts, especially the assassination of Caligula, the elimination of Messalina
, the complicated events of the Long Year of the Four Emperors, Trajan's military adventures in Dacia (and the commemoration thereof on the eponymous column), and the death of Commodus and commencement of the difficult period of the Barracks emperors.
"Female Desire and the Discourse of Empire: Tacitus's Messalina
." Signs 21.1: 50-82.
(6) Three illustrations exist from a somewhat later period, which do show stage curtains, though they are not obviously black: a vignette of a stage on the title-page of William Alabaster's Latin tragedy Roxana (O1 ); a similar vignette on the title-page of Nathanial Richards's tragedy of Messalina
(O1 ); and the frontispiece to Francis Kirkman's The Wits, or Sport upon Sport (O1 ).
For almost twenty years, the Queen that was Burke's demi-goddess, had been the subject of scandal and libels: she was a foreigner, V Autrichienne (a she-Austrian, punned into Austrian dog), dominating her husband and plotting the overthrow of French society, the lewd Messalina
with a voracious sexual appetite, the adulteress, the bordello queen, the lesbian.
"At the moment we are doing the story of Valeria Messalina
Suppose that you were to ask me now to further typify this novel, somewhat in the same fashion as Alfred Jarry when subtitling his various opuses (Faustroll is "A Neo-scientific Novel"; Days and Nights is a "Novel of a Deserter"; Messalina
is "A Novel of Imperial Rome"; The Supermale, is "A Modern Novel"), I would be tempted to write, simply, that it's "A Comic Novel," without that preventing me from asking the question: what sort of laughter are we talking about?