Mikhail Kuzmin


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Kuzmin, Mikhail Alekseevich

 

Born Oct. 6 (18), 1875, in Yaroslavl; died Mar. 3, 1936, in Leningrad. Russian writer.

Kuzmin was a nobleman by birth. He studied at the St. Petersburg Conservatory. His writings first appeared in print in 1905. Kuzmin’s main literary development occurred before the Revolution, when he was attracted first to the symbolists and later to the acmeists. Kuzmin’s poetry, plays, and prose works are focused on the world of things and objects; they evince a marked preference for stylization, a retreat into the past, and an avoidance of pressing topical problems. Kuzmin translated Boccaccio, Apuleius, and Shakespeare. He composed music for his songs, which he performed.

WORKS

[Sobr. soch.], vols. 1–9. St. Petersburg, 1914–18.

REFERENCES

Znosko-Borovskii, E. “O tvorchestve M. Kuzmina.” Apollon, 1917, nos. 4–5.
Eikhenbaum, B. “O proze M. Kuzmina.” In his book Skvoz’ literaturu. Leningrad, 1924.
References in periodicals archive ?
He was the founder of Russian literary Acmeism, which focused on "beautiful clarity" (the poet Mikhail Kuzmin's term) and simplicity of expression instead of the profoundly complex nature of the word in Russian Symbolism.
Mikhail Kuzmin, deputy of the State Duma of the Russian Federation, Ivan Bogachev, chairman of the regional Duma committee on agrarian and land issues, nature use and ecology, Nikolai Velikdan, first deputy chairman of the regional government, Vladimir Sitnikov, head of the agrarian department of Stavropol, and heads of agricultural enterprises, heads took part in the solemn event.
During the works, the avalanche covered Mairambek Abdyldayev and Mikhail Kuzmin.
My hope is that you'll spend the dollars you've saved on vodka to pick up a book by Mikhail Kuzmin.
This volume collects critical essays and other materials on the contributions of Mikhail Kuzmin (1872-1936) to the development of Russian modernism through poetry, drama, prose, and music.
Bailey devotes nearly a dozen pages to the gay Russian writer Mikhail Kuzmin (1872-1936), who "from the mid-1890's until the 1930's ...
Shvabrin, Mikhail Kuzmin: Selected Writings presents one of Russia's least known, non-conformist authors, Mikhail Kuzmin (1872-1936).
This fine poetic work is rich in literary and historical allusions, instances of intertextuality, and the subdued nuances somewhat reminiscent of Mikhail Kuzmin's late hermetic poetry.
He has made good use of other archival materials as well, including the papers of the commissariats of justice and health and the diaries of the poet and novelist Mikhail Kuzmin. He has also collected information about more than a hundred case histories from articles and books published by physicians and psychiatrists and studied representations of homosexuality in a variety of literary and polemical sources.
In "Okrylennyi Soglyadatay--The Winged Eavesdropper: Nabokov and Kuzmin," Galina Rylkova convincingly argues that Nabokov's "The Eye" is an appropriation of Mikhail Kuzmin's Wings [Kryl'ia] transferred to the cultural context of the Emigre Berlin of 1920s.
There is a fine chapter on Oscar Wilde's popularity in Russia and a concluding one on the Russian fascination with the type of the English 'dandy' which influenced Mikhail Kuzmin's style.
60), and that Mikhail Kuzmin's poetry is superior to the average Russian music-hall song owing to the 'vast gulf in complexity of versification and in choice of lexis' (Constructing, p.