Miles Davis


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Davis, Miles,

1926–91, American jazz musician, b. Alton, Ill. Rising to prominence with the birth of modern jazz in the mid-1940s, when he was a sideman in Charlie ParkerParker, Charlie "Bird"
(Charles Christopher Parker, Jr.), 1920–55, American musician and composer, b. Kansas City, Kans. He began playing alto saxophone in 1933 and, shifting from one band to another, eventually met Dizzy Gillespie in New York City.
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's bop quintet, Davis became a dominant force in jazz trumpet. He was influential in the development of "cool" jazz in 1949–50, led numerous outstanding small groups through the 1950s and 60s, and produced a successful blend of jazz and rock musicrock music,
type of music originating in the United States in the mid-1950s and increasingly popular throughout much of the world. Origins of Rock

Essentially hybrid in origin, rock music includes elements of several black and white American music styles: black
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 in the 1970s and 80s. Davis's trumpet and flügelhorn styles were warmly lyrical and were marked by a brilliant use of mutes. He made many recordings, which reflect his stylistic changes; Kind of Blue (1959), a landmark of modal jazz, has been a best-seller since it was issued.

Bibliography

See Miles: The Autobiography (1989, with Q. Troupe); biographies by I. Carr (1982), J. Chambers (2 vol., 1983–85), B. McRae (1988), and J. Szwed (2002); Q. Troupe, Miles and Me (2000).

References in periodicals archive ?
Quincy Troupe (born 1939) is a poet, author, and editor, perhaps best known for co-writing Miles: The Autobiography (1989) with the influential jazz trumpeter Miles Davis [photo at left by Jerry Jack].
Indeed, as Gluck points out in the book's appendix 2, even the 1970 live recording Miles Davis at Fillmore: Live at the Fillmore East (Columbia, G 30038, C 30241, C 30242) was heavily edited by producer Teo Macero to emphasize the groove-based sections and remove most instances of freer playing.
Gluck challenges the "oft-perceived aesthetic distance between the early electric work of Miles Davis (often termed "jazz-rock") and musicians associated with open improvisation (often termed free jazz)" (p.
Also watch: Bye Bye BlackBird - Miles Davis & John Coltrane Live at Newport '58
"Miles Davis is a hugely significant figure, perhaps one of the most important musicians and cultural figures of the 20th Century," says Todd Boyd, professor of critical studies at USC, who specializes in the study of race and popular culture.
''With the history of the Bronx and everybody that is planning ahead, we have a lot of requests to be close to Miles Davis and Celia Cruz,'' said cemetery Executive Director David Ison.
A los 18 anos Miles Davis ya estaba compartiendo escenario con Dizzy Gillespie y Charlie Bird Parker en la banda de Billy Eckstine.
MONTREUX, Switzerland: Herbie Hancock, Wayne Shorter and Marcus Miller paid tribute to their friend and mentor Miles Davis, performing a "songtrack to the life" of the late American trumpet player whose music electrified the world of jazz.
State Department began sending jazz musicians--including Louis Armstrong, Miles Davis, and Charles Mingus--as soft-power cultural ambassadors around the world as part of their overall strategy of Cold War diplomacy (on this topic, see Penny Von Eschen's fascinating 2004 study, Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War).
Williams, an accomplished author and staff writer for The Guardian, rhapsodizes about Miles Davis's seminal jazz album Kind of Blue and explores the far-reaching influence of the album on 20th century music, musicians and music lovers.
Any avid fan of jazz musician Miles Davis and any music library catering to this audience needs THE MILES DAVIS READER.
Dark Magus: The Jekyll and Hyde Life of Miles Davis By Gregory Davis with Les Sussman Backbeat Books, November 2006 $24.95, ISBN 0-879-30875-3