Mishima Yukio

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Mishima Yukio


(pseudonym of Hiraoka Kimitake).

Born Jan. 14, 1925, in Tokyo; died there, Nov. 26, 1970. Japanese writer. Son of a high-ranking civil servant.

The main characters in most of Mishima’s novels are physically or psychologically crippled; they are attracted by blood, horror, cruelty, or perverted sex, as in Confessions of a Mask (1949) and The Temple of the Golden Pavilion (1956). In his novel Beautiful Star (1962), Mishima wishes for the destruction of earthly civilization. Mishima’s novels have often become best-sellers, and many have been made into films. An ideologist of the far right, Mishima called for the revival of ultrapatriotic traditions (“The Voice of the Hero Spirits,” 1967); in his play My Friend Hitler ( 1968), he preached fascist ideas. During a failed attempt at a military coup in 1970, Mishima committed suicide.


Mishima Yukio senshu, 19 vols. Tokyo, 1957–59.


Istoriia sovremennoi iaponskoi literatury. Moscow, 1961.


References in periodicals archive ?
Mishima Yukio Kenkyu (El estudio de Mishima Yukio) VII, ed.
Chapters on literature include discussions of key postwar authors such as Murakami Haruki, Shiina Rinzo, Okuizumi Hikaru, Mishima Yukio, and Medoruma Shun.
Kawabata committed suicide shortly after the suicide of his friend Mishima Yukio.
Twentieth-century military and political suicides are well covered, including the ever-fascinating kamikaze pilots, and inevitably concluding with Mishima Yukio (1925-1970), whose spectacular suicide in 1970 continues to attract the interest of foreigners much more than Japanese.
Ima Mishima Yukio o Yomu" [A Reading of Mishima Yukio] (Special Issue on Mishima Yukio), Kokubungaku 32.
Nagahara's translator Gavin Walker serves up a challenging reinterpretation of how critics of literary giant Mishima Yukio interpret him.
The seven essays describe the role of the press and propaganda in the creation of a "Manchuria of the mind" in northeast China from 1930 to 1937, order and chaos in the city planning of utopian Manchukuo, Aisin Gioro Xianyu and the dilemma of Manchu identity, rediscovering Manchukuo in Japanese "goodwill films," the fates of Poles in Manchuria, how the legacy of the disciplining state from Manchukuo to South Korea imitated the colonizers, and pan-Asianism in the diary of Morisaki Minato and in the suicide of Mishima Yukio.
It is remarkable as the first book-length critical study of an author whom many thought might be the next Mishima Yukio or Kawabata Yasunari to the West, yet whose fiction has engendered reactions in his Japanese critics ranging from despair and disgust to hope and enthusiasm.
PLEASE TEL 03-5573-8089) Edward Seidensticker, noted translator of ''The Tale of Genji'' and works by Yasunari Kawabata and Mishima Yukio, is saddened by the decline of Tokyo's ''shitamachi'' -- the traditional downtown areas once the source of cultural riches.
Pinguet's scholarly discipline, if any, is not revealed, either there or in the text itself, which is a rambling disquisition that encompasses mythical and literary Greco-Roman and Christian commentary on suicide, more recent European views, bits of sociological thought and statistics, odds and ends of information from elsewhere in the world, and a historical survey of suicide and related phenomena in Japan that extends from the age of the gods to the death of Mishima Yukio.
They are reminiscent of some of the writings of certain highly regarded modern Japanese authors, including Mishima Yukio and Tanizaki Junichiro.
Even allowing for the obvious limitations that govern the production of a work such as this, there are some notable gaps, particularly given the amount of material available on four of the authors treated here: Natsume Soseki, Tanizaki Jun'ichiro, Kawabata Yasunari, and Mishima Yukio.