Mishima Yukio

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Mishima Yukio


(pseudonym of Hiraoka Kimitake).

Born Jan. 14, 1925, in Tokyo; died there, Nov. 26, 1970. Japanese writer. Son of a high-ranking civil servant.

The main characters in most of Mishima’s novels are physically or psychologically crippled; they are attracted by blood, horror, cruelty, or perverted sex, as in Confessions of a Mask (1949) and The Temple of the Golden Pavilion (1956). In his novel Beautiful Star (1962), Mishima wishes for the destruction of earthly civilization. Mishima’s novels have often become best-sellers, and many have been made into films. An ideologist of the far right, Mishima called for the revival of ultrapatriotic traditions (“The Voice of the Hero Spirits,” 1967); in his play My Friend Hitler ( 1968), he preached fascist ideas. During a failed attempt at a military coup in 1970, Mishima committed suicide.


Mishima Yukio senshu, 19 vols. Tokyo, 1957–59.


Istoriia sovremennoi iaponskoi literatury. Moscow, 1961.


References in periodicals archive ?
Sean Somers uses the works of Shusaku Endo and Mishima Yukio to suggest that Christianity must not confine itself to particular cultural lenses.
MATSUMOTO Takashi, Satou Hideaki y Inoue Takashi (eds.), Mishima Yukio Kenkyu (El estudio de Mishima Yukio) VII, ed.
Chapters on literature include discussions of key postwar authors such as Murakami Haruki, Shiina Rinzo, Okuizumi Hikaru, Mishima Yukio, and Medoruma Shun.
(3) Most Japanese people, too, remember the black marker as a symbol of their society "standing at a crossroads." This perspective was summed up clearly by another journalist, Mishima Yukio, who wrote twenty years after the war that the black market was "one of the unmistakable points of origin for postwar peoples' history." (4)
Shiga has not received the same attention as his contemporaries Akutagawa Ryunosuke and Tanizaki Jun'ichiro - although Shiga lived thirty-four years longer, his last and most important writing was the one novel-length work, A Dark Night's Passing (An'ya koro) in 1937 - let alone more recent figures such as Nobel laureates Kawabata Yasunari and Oe Kenzaburo as well as Mishima Yukio. Indeed, Western critics have deemed Shiga's work lackluster and lacking the attributes of fiction.
Kawabata committed suicide shortly after the suicide of his friend Mishima Yukio.
Twentieth-century military and political suicides are well covered, including the ever-fascinating kamikaze pilots, and inevitably concluding with Mishima Yukio (1925-1970), whose spectacular suicide in 1970 continues to attract the interest of foreigners much more than Japanese.
In 1950, in the city of Kyoto in Japan, a famous Zen temple that was more than five hundred years old was burned down in an act of arson by a Zen acolyte named Hayashi Yoken, who said that his motive was "antipathy against beauty" (Tasaka 105).(1) This event became the subject of Mishima Yukio's 1956 novel Kinkakuji (The Temple of the Golden Pavilion, hereafter Temple), which retells the destruction of the temple from the retrospective viewpoint of an invented arsonist named Mizoguchi, who is "pursued by the idee fixe of beauty" (Nakamura 306).(2) In 1959, three years after Mishima's sensational work, Heinrich Boll published a novel called Billard um Halbzehn Billiard,s at Half Past Nine, hereafter Billiards) in which the central act is the deliberate burning of St.
If he reserves a degree of admiration for Tanizaki's ironic conquest of an exploded and dissipating community, Miyoshi directs an acknowledgement at Mishima Yukio's meta-fascistic project which is at once disgusted and amused.
Another popular destination is the Kinkaku-ji Temple, also called the Golden Pavilion, one of the most famous temples in Japan and the setting for Mishima Yukio's The Temple of the Golden Pavilion, which is based on a true incident of a monk setting fire to the temple in 1950.
62) Nagahara's translator Gavin Walker serves up a challenging reinterpretation of how critics of literary giant Mishima Yukio interpret him.
The seven essays describe the role of the press and propaganda in the creation of a "Manchuria of the mind" in northeast China from 1930 to 1937, order and chaos in the city planning of utopian Manchukuo, Aisin Gioro Xianyu and the dilemma of Manchu identity, rediscovering Manchukuo in Japanese "goodwill films," the fates of Poles in Manchuria, how the legacy of the disciplining state from Manchukuo to South Korea imitated the colonizers, and pan-Asianism in the diary of Morisaki Minato and in the suicide of Mishima Yukio.