Molfetta


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Molfetta

(mōlfĕt`tä), city (1991 pop. 66,839), in Apulia, S Italy, on the Adriatic Sea. It is a fishing port and light industrial center. Manufactures include cement, boats, and food products. There is an Apulian-Romanesque cathedral (12th–13th cent.).

Molfetta

 

a city and port in southern Italy; located on the Adriatic Sea in Bari Province in the region of Apulia. Population, 65,200 (1968). A fishing center, Molfetta also has shipbuilding, electrotechnical, and food industries.

References in periodicals archive ?
S entrustment of the school meals service for primary schools in the municipality of molfetta.
All summer long in the port town of Molfetta, patrons clad in bikinis and surf shorts party at Bloom Beach Bar, positioned on an enviable plot of land overlooking the Adriatic Sea.
The Welsh star, who is bidding to become the first Briton to win cycling's second most important Grand Tour, finished 10th during yesterday's stamina-sapping 182km stage eight from Molfetta to Paschici on the Apulian east coast to remain second in the overall standings behind Luxembourg's Bob Jungels.
The stage run from Molfetta to Peschici with the last 100 km constantly undulating and a complex finale, where Visconti turned Pink in 2008 and another BAHRAIN MERIDA rider, Franco Pellizotti, took a win in 2006.
During his career, Hernandez has played for C Habana in his native Cuba and is currently representing Exprivia Molfetta in the Superlega, Italy's top-level club championship.
Santini L, Capria A, Di Molfetta A, Mahfouz K, Panattoni G, Minni V, Sergi D, Forleo GB, Romeo F.
Erzegovesi S, Riboldi C, Di Bella D, Di Molfetta, Francesca D, Bruna P.
Como sostiene Andrea Molfetta, en un conjunto de peliculas recientes en las que los personajes se desplazan al interior del territorio, el paisaje deja de funcionar como una representacion metaforica del potencial nacional y, por el contrario, las historias siguen las derivas de individuos que viajan de manera "intransitiva" sin lograr, ni buscar, una transformacion (53).
Ana Amado ("La imagen"; "Ordenes"), Gonzalo Aguilar ("Con el cuerpo"; "Otros"), Mauricio Alonso, Andrea Molfetta ("La representacion"; "Performando") y Gustavo Noriega concentran sus abordajes de Los rubios y Men sus aspectos esteticos y politicos, amparados en la idea tacita de que estas peliculas, al inscribir fuertemente sus discursos en el terreno de la subjetividad y de la experiencia personal, no registran mayores responsabilidades con los actores sociales que--aunque sea lateralmente--participan en sus films.