William Congreve

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Congreve, William,

1670–1729, English dramatist, b. near Leeds, educated at Trinity College, Dublin, and studied law in the Middle Temple. After publishing a novel of intrigue, Incognita (1692), and translations of Juvenal and Persius (1693), he turned to writing for the stage. His first comedy, The Old Bachelor (1693), produced when he was only 23, was extremely successful and was followed by The Double Dealer (1693) and Love for Love (1695). In 1697 his only tragedy, The Mourning Bride, was produced. About this time Congreve replied to the attack on his plays made by Jeremy CollierCollier, Jeremy,
1650–1726, English clergyman. Collier was imprisoned as one of the nonjurors, who refused to pledge allegiance to William III and Mary II. He later was outlawed (1696) for absolving on the scaffold two of those involved in the assassination plot against
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, who in a famous essay attacked the English stage for its immorality and profaneness. Congreve reached his peak with his last play, The Way of the World (1700), which has come to be regarded as one of the great comedies in the English language. The leading female roles in Congreve's plays were written for Anne BracegirdleBracegirdle, Anne,
1663?–1748, English actress. A pupil of Betterton, she was the delight of Colley Cibber and the favorite of Congreve, achieving her greatest successes as the heroines of Congreve's comedies, which were written for her.
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, who was probably his mistress. He never married. After 1700, Congreve did little literary work, perhaps because of the cool reception accorded his last play or because of his failing health—he suffered from gout. He subsequently held various minor political positions and enjoyed the friendships of Swift, Steele, Pope, Voltaire, and Sarah, duchess of Marlborough. The plays of Congreve are considered the greatest achievement of Restoration comedy. They are comedies of manners, depicting an artificial and narrow world peopled by characters of nobility and fashion, to whom manners, especially gallantry, are more important than morals. Congreve's view of mankind is amused and cynical. His characters are constantly engaged in complicated intrigues, usually centering around money, which involve mistaken identities, the signing or not signing of legal documents, weddings in masquerade, etc. His plays are particularly famous for their brilliance of language; for verbal mastery and wit they have perhaps been equaled only by the comedies of Oscar Wilde.


See his works, ed. by F. W. Bateson (1930) and by D. F. McKenzie (3 vol., 2011); biographies by M. E. Novak (1971) and E. W. Fosse (1888, repr. 1973); D. Mann, ed., A Concordance to the Plays of William Congreve (1973).

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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Congreve, William


Born Feb. 10, 1670, in Bardsey, Yorkshire; died Jan. 19, 1729, in London. English playwright.

Congreve, who was of aristocratic descent, studied law in Dublin. In his comedies The Old Bachelor (1693), The Double-Dealer (1693), Love for Love (1695; Russian translation, 1965) and The Way of the World (1700), he masterfully depicted the corrupt morality of the aristocracy. At the same time, he did not try to moralize or castigate the vices of high society.


The Complete Works, vols. 1–4. [London] 1923.
In Russian translation: Puti svetskoi zhizni. In Khrestomatiia po zapadnoevropeiskoi literature XVII v. Compiled by B. I. Purishev. Moscow, 1949. (An excerpt.)


Istoriia zapadno-evropeiskogo teatra, vol. 1. Moscow, 1956.
William Congreve. Edited by B. Morris. London-Totowa (N.J.) [1972].
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
Rebecca Merrens identifies 'scientific' and 'tragic' species of anti-feminism in Bacon and Congreve, whose Mourning Bride offers women as a scapegoat for male instability (of what male-authored seventeenth-century play has that not been said, I wonder?); Mary Manley and Catherine Trotter, by contrast, draw characters who evade patriarchal 'dualisms'.
Though he signally failed to carry out his promise of writing a play a year, he showed his good intentions with Mourning Bride, The.
He also wrote a tragedy, The Mourning Bride (1697), remembered chiefly as the source of such oft - quoted phrases as " Music hath charms to soothe a savage breast.
The rambunctious group often finds itself in a tight spot-no thanks to feckless New York City Mayor Bradley (Andy Garcia), who derives pleasure from discrediting them-but, as William Congreve once noted in 'The Mourning Bride,' hell hath no fury like a woman scorned-indeed!
Though Shakespeare gets praise for it William Congreve wrote it in The Mourning Bride.