mumming play

mumming play,

form of drama developed in England in the early 17th cent., based on the legend of St. George and the dragon. The central theme of the play is the death and resurrection of the hero. The mumming play possibly evolved from some primitive folk celebration. However, it is most closely associated with the medieval sword dance, which symbolized the reawakening of the earth from the death of winter. During the Christmas season a few English villages still present the mumming play.

Bibliography

See A. Brody, English Mummers and Their Plays (1971).

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Sue Hughes at Ellisland said: "The Galoshins play is a traditional mumming play performed in Dumfries and Galloway either at Hallowe'en or New Year.
The New Year's Day mumming play is their main event of the year.
It remains uncertain whether the English folk drama known as the mumming play coexisted with the drama of Shakespeare's age.
mumming playalso called mummers' play Middle English mommen to speak incoherently, be silent, perform (a mumming play), probably in part a derivative of mom an inarticulate sound (of imitative origin), in part from Old French mommer to perform wearing masks
THE Wooldale Werewolf returned to Holmfirth last week when the Lydgate Mummers staged a special alfresco mumming play as part of Holmfirth Arts Festival.
Work with the Holme Valley Sharing Memories Group has led to the production of a traditional mumming play which is to be performed at Holmfirth Arts Festival in July.
Pupils put on a Mumming play showcasing folklore legends such as the Wooldale werewolf, dragons and Giant Jack Frost.
Entertainment included demonstrations of pastimes and skills that once filled daily life, including music, dancing and mumming plays.
These are some of the characters featured in the long-standing tradition of Christmas Mumming plays and the Coventry Mummers are touring the county to stage these carefully preserved examples of English ritual drama.
Entertainment will include a host of morris dance teams in the Cotswold, North-west and Border styles along with Rapper Dancers and traditional Yorkshire Longsword sides, as well as brass bands, belly dancers and traditional mumming plays. ?
In her introduction, Catherine Armstrong points to ephemera as a theme of the volume: Angela McShane examines the typography of broadsides; Eddie Cass and Paul Smith explore chapbook "mumming plays" (folk plays); Susannah Randall looks at the increase of newspapers during the Popish Plot; Stephen Brown presents a biography of the eighteenth-century newspaper publisher, Peter Williamson; and Lisa Peters surveys reaction to the Boer Wars in the North Wales press.