Museum of Modern Art

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Museum of Modern Art

(MoMA), New York City, established and incorporated in 1929. It is privately supported. Alfred H. BarrBarr, Alfred Hamilton, Jr.,
1902–81, American art historian, b. Detroit. Barr taught art history at several colleges and was the first director of the Museum of Modern Art, New York City.
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, Jr., was its first director. Operating at first in rented galleries, the museum specialized in loan shows of contemporary European and American art. A start toward its permanent collection was made with the Lillie P. Bliss bequest, which included nine Cézannes and the Daumier Washerwoman. Its present collection, which includes more than 150,000 paintings, sculptures, drawings, graphics, photographs, videos, architectural drawings and models, and design objects, represents one of the finest groups of modern and contemporary art in the world. MoMA's merger (2000) with P.S. 1, a contemporary art space in Long Island City, Queens, gave the museum a greater connection to avant-garde art. MoMA also has outstanding departments of photography and architecture, an extensive reference library and archives, and a large film library.

A permanent building, boxy and in the International StyleInternational style,
in architecture, the phase of the modern movement that emerged in Europe and the United States during the 1920s. The term was first used by Philip Johnson in connection with a 1932 architectural exhibition held at the Museum of Modern Art, New York City.
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, designed by Philip L. Goodwin and Edward Durell StoneStone, Edward Durell,
1902–78, American architect, b. Fayetteville, Ark. Stone's first major work, designed in the starkly functional International style in collaboration with Philip L. Goodwin, was the Museum of Modern Art, New York City (1937–39).
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, was erected in midtown Manhattan in 1939. A new wing designed by Philip JohnsonJohnson, Philip Cortelyou,
1906–2005, American architect, museum curator, and historian, b. Cleveland, grad. Harvard Univ. (B.A., 1927). One of the first Americans to study modern European architecture, Johnson wrote (with H.-R.
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 was added in 1964, and the building was renovated and expanded again in 1984 by Cesar PelliPelli, César,
1926–2019, American architect, b. Tucumán, Argentina. Pelli graduated (1949) from the Univ. of Tucumán, immigrated (1952) to the United States, and subsequently attended (1952–54) the Univ. of Illinois.
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 and Associates, principally with the addition of a 52-story residential tower. MoMA Manhattan quarters were subsequently enlarged and redesigned (2002–4) by the Japanese architect Yoshio Taniguchi in a highly refined modernist style. During this work the collection housed in a former factory in Long Island City, dubbed MoMA QNS, that had been reconfigured by the architect Michael Maltzan; the Queens space is now used as a storage and study facility. In 2019 further renovations by Diller Scofidio & Renfro in collaboration with Gensler added to the gallery space, and the permanent collection was rehung to include new art, much of it multicultural and recently acquired. The main-floor gallery now juxtaposes various periods and cultures, and painting, sculpture, design, architecture, ceramics, and film are now shown together, illustrating relationships and differences.

Bibliography

See catalog of paintings in the permanent collection by H. Frank (1973); R. Lynes, Good Old Modern: An Intimate Portrait of the Museum of Modern Art (1973); S. Hunter, The Museum of Modern Art, New York (1984, repr. 1997); G. D. Lowry, MOMA Highlights: 325 Works from The Museum of Modern Art (2002); J. Elderfield, ed., Modern Painting and Sculpture: 1880 to the Present from The Museum of Modern Art (2004).

The Columbia Electronic Encyclopedia™ Copyright © 2013, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Museum of Modern Art

 

in New York City, the largest American collection of art dating roughly from 1875 to the present. The Museum of Modern Art, which was founded in 1929, has extensive collections of painting, sculpture, graphic art, applied arts, design, architecture, photography, and films. In addition, there are changing exhibitions. As a result of its educational role, the museum has become a center for the popularization of the newest, chiefly modernistic, currents in European and American art. The museum houses P. Picasso’s Guernica and works by P. Cézanne, A. Maillol, H. Matisse, D. Siqueiros, D. Rivera, J. C. Orozco, E. Hopper, A. Wyeth, and many other artists.

REFERENCE

Painting and Sculpture in the Museum of Modern Art: A Catalogue. New York, 1958.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
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His work was included in the influential 1967 exhibition New Documents at the Museum of Modern Art, New York, curated by John Szarkowski.
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The Rain Room was launched at The Curve, Barbican, London (2012) and then presented at the Museum of Modern Art, New York (2013), Yuz Museum, Shanghai (2015) and Los Angeles County Museum of Art (2015--2017).
It portrays a selection of some of the most well-known works of the artist, exhibited today by some of the greatest art museums of the world, such as The Museum of Modern Art, New York (MOMA), Musee National d'Art Moderne in Paris, Guggenheim Museum in New York, as well as the Romanian National Art Museum in Bucharest.
Anastassiades' work is featured in permanent collections at the Museum of Modern Art, New York, the Victoria and Albert Museum and the Crafts Council, London, The Arts Institute of Chicago, MAK, Vienna and the FRAC Centre in Orleans.
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