Pier Luigi Nervi

(redirected from Nervi)
Also found in: Dictionary, Thesaurus, Medical, Wikipedia.
Related to Nervi: Nervi erigentes, nervi nervorum
Pier Luigi Nervi
BirthplaceSondrio, Italy
EducationUniversity of Bologna

Nervi, Pier Luigi

(pyĕr lwo͞oē`jē nĕr`vē), 1891–1979, Italian architectural engineer. Nervi is considered one of the foremost European architectural designers of the 20th cent. His first large work, the Giovanni Berta stadium at Florence (1930–32), won world acclaim for the daring and beauty of its cantilevered stairs and roof. Nervi experimented with prefabricated elements in the construction of the Italian air force base at Orbetello (1939). In the mid-1940s he developed ferro-cemento, a strong, light material composed of layers of steel mesh grouted together with concrete. With this material he was able to achieve complicated building units for vast and complex structures. His innovations made possible the intricate and beautiful buildings that have brought him world renown. Especially outstanding are his exposition halls at Turin (1949, 1950); the railway station, Naples (1954); and three Olympic buildings in Rome (1956–59). Nervi has also collaborated in such projects as the headquarters of the UN Educational, Scientific, and Cultural Organization, Paris (1953–57) and the George Washington Bridge bus station, New York City (1961–62).


See his New Structures (tr. 1963) and Aesthetics and Technology in Building (tr. 1965); study by A. L. Huxtable (1960).

Nervi, Pier Luigi

Italian civil engineer; he was best known for reinforced-concrete structures. He created a structure for the Exhibition Hall, Turin, Italy (1947), and the Palazzo Dello Sports (1958), in Rome; where an immense concrete dome floats over the space.

Nervi, Pier Luigi


Born June 21, 1891, in Sondrio, Lombardy. Italian engineer and architect; the first to use ferrocemento (cement sprayed on a fine wire mesh).

From 1908 to 1913, Nervi was a student in the engineering faculty of the University of Bologna. In 1946 he became an instructor at the University of Rome. Nervi often experiments with modern building materials and the structural units for which they are used, seeking to bring out innate possibilities for artistic expression.

Between 1929 and 1932, Nervi built a stadium in Florence, emphasizing its structural elements (reinforced-concrete pillars supporting the stands, spiral staircases, abutments for the cantilever roof) and achieving an expressive spatial composition. From 1935 to 1940, while building aircraft hangars in Orvieto and Orbetello, the architect developed a new system of construction using prefabricated uninterrupted roof spans made from rhomboid reinforced-concrete components.

In 1946, Nervi began to study the possibilities of ferrocemento. He was the first to design a thin-walled span of ferrocemento elements to roof a building. He first used such a span in 1948 and 1949 in his design of an exhibition hall in Turin. The rhythmic patterns of the ceiling and the innovative canted ceiling supports bring out the hidden interaction of forces and form an austere and refined composition.

Nervi’s subsequent architectural work involved the perfecting of ferrocemento shells and a search for various architectural forms and designs. His best works of the 1950’s and 1960’s combine the plastic expressiveness of crude ferrocemento and reinforced-concrete structural elements with a bold and clear design based on precise engineering computations and with a clear and functionally effective spatial organization. Works from this period include the Palazzetto dello Sport in Rome, which has a shallow dome resting on Y-piers; the Palace of Labor in Turin (1961, with architect A. Nervi), which has innovative “umbrella-like” domes on massive pillars; the UNESCO building in Paris (1957, with architects M. L. Breuer and B. Zehr-fuss), whose conference hall has corrugated reinforced-concrete walls and ceiling; and the 32-story Pirelli Building in Milan (1956–60, with architect G. Ponti).


Costruire correttamente. Milan, 1955. (Abridged Russian translation,
Stroit‘pravil’no. . . . Moscow, 1956.)
Nuove strutture. Milan, 1963.


Ivanova, E. K., and R. A. Katsnel’son. P’er Luidzhi Nervi. Moscow, 1968.
Argan, G. C. Pier Luigi Nervi. Milan, 1955.
Huxtable, A. L. Pier Luigi Nervi New York, 1960.


References in periodicals archive ?
This would create continued inflammation and nervi nervorum irritation within these nerves causing both pain and sensory changes in the area.
Delle anomalie piu importanti di ossa, vasi, nervi e muscoli occorse nell'ultimo biennio facendo anatomia del corpo umano (On important anomalies of bones, vessels, nerves and muscles observed in last two years doing human anatomy) [In Italian].
Ma e la stessa scansione narrativa del semplice "episodio", articolata in un prima e un dopo, a sottolineare la problematicita della guerra, le mille insidie del cuore del soldato e la necessita di "fare i conti con i nervi degli uomini".
La influencia de las propuestas de Nervi bien pudieran ser el referente.
Los fasciculos estan unidos entre si por tejido conectivo, espacios histicos, canales linfaticos y nervi nervorum.
MAXXI will also host architectural exhibitions and research; its architectural department houses the archives of Carlo Scarpa, Aldo Rossi and Pier Luigi Nervi.
I said right there, on the Tyrrhenian Coast just north of Nervi, if there's reincarnation I'm coming back Italian.
Tai liudija ir egiptieciu, graiku, gotikos epochos, inzinieriaus Pier Lui-gi Nervi bei kitu palikimas.
After an extended lymphadenectomy, taking care to preserve the nervi erigenti in the perirectal region, an ileal neobladder is created and anastomosed to the prostatic capsule with interrupted stitches.
The collection will contain more than 350 works by such artists as Alighiero Boetti, Anish Kapoor, William Kentridge and Andy Warhol, as well as designs by 20th-century architects and engineers such as Carlo Scarpa, Aldo Rossi and Pierluigi Nervi.
When Rome hosted the 1960 Olympics, EUR was further transformed by a Pier Luigi Nervi stadium where Romans still watch basketball.
Unlike Jessica Alba's Malibu villa images of last year, shot by the glamour photographer Mario Testino, whose celebrity subjects have included Princess Diana, Kurylenko's have been taken by upcoming Italian photographer Simone Nervi.