Nostromo


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Nostromo

entrusted with a cargo of silver, manages to conceal some for his own gain. [Br. Lit.: Conrad Nostromo]

Nostromo

inadvertently gains hoard of silver ingots. [Br. Lit.: Nostromo]
References in periodicals archive ?
Who wrote Lord Jim, Heart of Darkness and Nostromo? What name is given to the skeleton of the head of a vertebrate animal?
Who wrote Lord Jim, Nostromo and Heart of Darkness?
(1) More so than many literary works, Joseph Conrad's Nostromo reveals an imperial exploitation of nature that parallels its exploitation of the local population.
The movie follows the crew of the space craft Nostromo who end up fighting for their lives after an alien takes over their ship.
Sigourney Weaver stars as Ellen Ripley (pictured) the warrant officer who takes on a terrifying and seemingly indestructible xenomorph, after it comes on board the starship Nostromo, hidden in John Hurt's chest.
The opening pages of Joseph Conrad's Nostromo (1904) unfold
Jaubert's yacht, the Nostromo. They then set sail on a seven-day journey towards Goa on the coast of India.
Firth and Giuggioli wed in 1997 after meeting in 1996 on the set of the BBC miniseries Nostromo.
Other than a walk-on role in The Godfather Part II, commercially successful films kept avoiding Stanton, which changed after Ridley Scott cast him as a crew-member of the Nostromo in the sci-fi shocker Alien, overcoming Stanton's own reluctance to take on a"monster movie".
John Hurt is sitting around the spacecraft galley, having a jolly meal with his crew aboard the Nostromo. He's blissfully unaware that the gestating xenomorph inside him is waiting for the right moment to burst out of his chest and set in motion the wheels of the greatest cinematic cat-and-mouse chase in history.
The second chapter, focused on Conrad's pilgrims in Heart of Darkness and Nostromo, provides a good summary of the ways in which Conrad's characters negotiate their encounters with the colonized lands, highlighting the feeling of both fascination and abhorrence, of awe and loss they experience in front of the primitive formless chaos of Africa and "wild, treacherous, and inaccessible Costaguana" (Szczeszak-Brewer 37).
The editor has organized the contributions that make up the main body of the text in three parts devoted to ConradAEs contexts, critical approaches to Heart of Darkness, and critical approaches to Lord Jim, Typhoon, Nostromo, and the authorAEs other major texts.