'Many appreciate particularly the Rimpa [paintings] of Ogata Korin
(1658-1716) or Hon'ami Koetsu (1558-1637) and their followers, with their motifs from nature,' he says.
Works include the world-renowned "Great Wave" by Katsushika Hokusai, as well as brilliantly colored screen paintings-such as "Irises at Yatsuhashi (Eight Bridges)" by Ogata Korin
and "Morning Glories" by Suzuki Kiitsu.
The yatsuhashi was made famous in the 17th century by Ogata Korin
's pair of six-fold screens titled The 8 Planked Bridge.
The show includes Ogata Korin (1658-1716), who was a 17th
During the early Edo period in 1658, Ogata Korin was born into a
On the Japan Society Gallery entrance wall, Ogata Korin's
The second generation is represented by two Kyoto merchant brothers Ogata Korin (1658-1716) and Kenzan (1663-1753), and the third generation by the samurai class artist Sakai Hoitsu (1761-1828) who worked in the shogunal city of Edo.
They were published for the first time in the prestigious art-historical journal Kokka at the beginning of the twentieth century: the Plum screens in 1904(Hamada, "Ogata Korin hitsu baika-zu byobu nitsuite") and the Iris screens in 1907(Hamada, "Ogata Korin hitsu kakitsubata-zu"); and both were described as exemplars of Japanese decorativeness in art.
In Writing Box With Crane Design in the Style of Ogata Korin (eighteenth century), five cranes are in flight against the wind current.
Some paintings, such as the scroll Cormorant Fishing by Ogata Korin (1658-- 1716), even depicted workers in close-up.
The school, so understood, linked four artists: Koetsu (1558-1637), swordsmith, calligrapher and potter; Sotatsu, (d 1640), a painter; Ogata Korin
(1658-1716) a painter of screens, fans and pottery for whom the school was named and his brother who adopted the name of Kenzan, a decorator of pottery.
1) by Ogata Korin
(1658-1716; the word Rimpa was derived from his name in the 20th century), as well as other screen paintings and hanging scrolls by later artists, such as Sakai Hoitsu (1761-1828) and Suzuki Kiitsu (1796-1858; Fig.