Orazio Gentileschi

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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Gentileschi, Orazio


(Lomi). Christened July 9, 1563, in Pisa; died Feb. 7, 1638, in London. Italian painter. Follower of Caravaggio.

Gentileschi worked in Florence, Rome, Genoa, Paris, and London (from 1626). His works were influenced stylistically by Caravaggio’s early works. They are characterized by lyrical contemplation, flexibility of composition, strong chiaroscuro, and a refinement of color, derived from a harmonic blending of lucent tones. His works include St. Cecilia (National Gallery, Rome), The Annunciation (1621-23, Galleria Sabauda, Turin), and The Lute Player (National Gallery of Art, Washington).

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
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The evening sale also includes a rather extraordinary painting on alabaster by Orazio Gentileschi (Fig.
He is, in fact, the true rediscoverer of Michelangelo's genius (and of the Caravaggeschi in general, as in the case of Orazio Gentileschi and his daughter Artemisia).
Rest on the Flight into Egypt <B , by Orazio Gentileschi
Ward Bissell, and others, Artemisia was little known well into the twentieth century, with many of her paintings attributed to her father, Orazio Gentileschi, or to Caravaggio.
In Gallery 23, there's The Rest on the Flight Into Egypt (c 1620 by Orazio Gentileschi), featuring Mary breastfeeding the baby Jesus after fleeing to Egypt.
For example, Michael Cole in his essay 'Discernment and Animation: Leonardo to Lomazzo' draws on Italian Renaissance art theory to discuss the treatment, by painters such as Orazio Gentileschi and Michelangelo, of saints such as St Francis, as well as angels and demons in terms of pose and decorum.
Scholars have identified as a portrait of Artemisia the woman holding a fan from Orazio Gentileschi and Agostino Tassi's 1611 fresco of A Musical Concert with Apollo and the Muses (Palazzo Pallavicini-Rospigliosi, Casino delle Muse, Rome).
In this painting from about 1610, artist Orazio Gentileschi provides all the visual clues for the faithful reader of the Bible to recognize the subject as the beautiful Israelite Judith, who foiled the advances of her dinner host, General Holofernes, by removing his head with his own sword.
Banti's Artemisia is a motherless daughter of an absent and uncommunicative father, the painter Orazio Gentileschi. During her teens she is raped by one of her father's friends and fellow painters, Agostino Tassi.
Born in Rome in 1593, Artemisia was the daughter of Orazio Gentileschi, one of Caravaggio's most important followers.
The passage greets visitors at the entrance to the Metropolitan Museum of Art's landmark exhibition of paintings by Artemisia and her father, Orazio Gentileschi (1563--1639), foreshadowing the dramatic timbre of the works as well as the lives of these two extraordinary artists.