He is, in fact, the true rediscoverer of Michelangelo's genius (and of the Caravaggeschi in general, as in the case of Orazio Gentileschi
and his daughter Artemisia).
The galleries also contain an exceptional collection of Italian Baroque painting, including the only autograph work by Orazio Gentileschi
in a public collection in the UK.
Ward Bissell, and others, Artemisia was little known well into the twentieth century, with many of her paintings attributed to her father, Orazio Gentileschi
, or to Caravaggio.
Es hija de un pintor toscano muy relevante Orazio Gentileschi
, quien al ser muy talentosa tiene la capacidad de imponer su inteligencia como lo estamos viendo con este autorretrato, que es muy representativo de ella misma, donde plasma a una Cleopatra en una actitud de extasis donde esta a punto de morir, pero al mismo tiempo el extasis se combina tambien con una especie de rostro exaltado, con una sensacion de erotismo.
For example, Michael Cole in his essay 'Discernment and Animation: Leonardo to Lomazzo' draws on Italian Renaissance art theory to discuss the treatment, by painters such as Orazio Gentileschi
and Michelangelo, of saints such as St Francis, as well as angels and demons in terms of pose and decorum.
Scholars have identified as a portrait of Artemisia the woman holding a fan from Orazio Gentileschi
and Agostino Tassi's 1611 fresco of A Musical Concert with Apollo and the Muses (Palazzo Pallavicini-Rospigliosi, Casino delle Muse, Rome).
In this painting from about 1610, artist Orazio Gentileschi
provides all the visual clues for the faithful reader of the Bible to recognize the subject as the beautiful Israelite Judith, who foiled the advances of her dinner host, General Holofernes, by removing his head with his own sword.
1, and the Orazio Gentileschi
display continues through Jan.
Banti's Artemisia is a motherless daughter of an absent and uncommunicative father, the painter Orazio Gentileschi
Born in Rome in 1593, Artemisia was the daughter of Orazio Gentileschi
, one of Caravaggio's most important followers.
The passage greets visitors at the entrance to the Metropolitan Museum of Art's landmark exhibition of paintings by Artemisia and her father, Orazio Gentileschi
(1563--1639), foreshadowing the dramatic timbre of the works as well as the lives of these two extraordinary artists.
Born in Rome to the Caravaggesque painter Orazio Gentileschi
, Artemisia became Caravaggio's only female follower in Italy and the first Italian woman to specialize in history painting.