Organic Architecture


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Organic architecture

(1985–)
The principles of organic architecture rely on the integration of form and function, in which the structure and appearance of a building are based on a unity of forms that stresses the integration of individual parts to the whole concept, relating it to the natural environment in a deliberate way with all forms expressing the natural use of materials.
Design/Illustration: Bart Prince, Architect
Illustrated Dictionary of Architecture Copyright © 2012, 2002, 1998 by The McGraw-Hill Companies, Inc. All rights reserved
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Organic Architecture

 

a 20th-century trend in architecture, particularly widespread in the 1930’s, 1940’s, and 1950’s in the United States and Western Europe. The goal of organic architecture was the creation of buildings whose forms were dictated by function and surroundings, as is the case with organisms in nature. The concept of organic architecture was first formulated in the 1890’s by the American architect L. Sullivan, who was influenced by the evolutionary theory in biology. The concept was further developed in the theoretical works and designs of one of Sullivan’s protégés, F. L. Wright, whose basic design goal was the creation of uninterrupted architectural space, as opposed to the division of space into separate parts that was typical of more traditional architecture. The first of his designs to embody this principle were his prairie houses (Willits House in Highland Park, Ill., 1902; Robie House in Chicago, 1909). Wright’s sensitivity to the specific properties of natural materials was combined with a romantic attitude toward the natural landscape, of which the building was to be an inseparable part. At the same time, Wright rejected simple mimicry of nature.

Organic architecture has become one of the more widespread trends in contemporary architecture in contrast to the technologically oriented extremes of functionalism that occurred in the mid-1930’s. It is unlike functionalism in its careful consideration of individual needs and human psychology.

Influenced by organic architecture, regional architectural schools developed in Scandinavia (for example, the designs of Alvar Aalto). In the United States, the California school of architects, led by R. Neutra, applied organic principles. In a number of countries, the trend was responsible for bringing about an interest in local architectural tradition and folk architecture. As time passed, the popularity of organic architecture was paralleled by the widespread rejection of functionalism. In Italy the architect B. Zevi adopted the theory of organic architecture in the late 1940’s. In 1945 the Association for Organic Architecture was founded in Rome. Its program emphasized the humanistic side of the movement.

The organic architecture movement as a whole was ideologically confused. Its unifying principle remained Wright’s personal authority. The movement’s abstractly humanistic ideals led it away from the urgent social problems that confront architecture. Its emphasis on individualism led to the rejection of standardized and industrial building techniques. Elements of deurbanistic utopianism conflicted with the practical problems confronting architecture and construction after World War II. These problems called for mass industrial construction. All this limited the scope of organic architecture primarily to private homes, villas, and suburban hotels.

After Wright’s death in 1959, organic architecture dissolved entirely into the various architectural tendencies of the 1960’s, which emphasized more efficient architectural designs. Several general principles, types of structure, and individual devices developed in organic architecture continue to be widely used in architectural and artistic design.

REFERENCES

Wright, F. L. Budushchee arkhitektury. Moscow, 1960. (Translated from English.)
Wright, F. L. An Organic Architecture: The Architecture of Democracy. London, 1939.
Zevi, B. Towards an Organic Architecture. London, 1950.

A. B. IKONNIKOV

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.

Organic architecture

Architecture whose design is established in accordance with processes of nature rather than based on an imposed design; a design philosophy of Frank Lloyd Wright (1867–1959) based largely on his early-20th-century assertion that a building (and its appearance) should follow forms that are in harmony with its natural environment. The materials used on the exterior should be sympathetic to the building’s locale, thereby relating the building to its setting, as if it were the result of natural growth. Thus, use should be made of low-pitched overhanging roofs to provide protection from the sun in the summer and to provide some weather protection in the winter, and maximum use should be made of natural daylighting.
McGraw-Hill Dictionary of Architecture and Construction. Copyright © 2003 by McGraw-Hill Companies, Inc.
References in periodicals archive ?
"We opted for organic architecture," Yousef said, adding that no harmful chemicals or materials were used during construction.
Manosa was strongly influenced by Frank Lloyd Wright's 'organic architecture' as well as the traditional Japanese architecture he saw during his travels.
Shortly after, he had the unique opportunity to apprentice with architects, including Bart Prince of Albuquerque, New Mexico, who were carrying on Frank Lloyd Wright's vision of organic architecture.
Describing the design as organic architecture, he came up with leaf-shaped buildings connected to each other.
It prominently features West Elm's Fall 2018 collection: Manhattan living inspired by a modern look; 'organic architecture' inspired by the idea of clean, pure lines and colors; and Italy's midcentury bohemian luxe vibe inspired by a global theme.
Over time, he developed his own style, referring to them as "organic architecture." In other words, his buildings tended to mimic nature or morph into a part of the natural surroundings.
"There are many interpretations, explaining the form of SNP Memorial, from the inspiration of Corbusier's sculptures, a shepherd's hat to principles of organic architecture," wrote Slovak architect Stefan Slachta about one of the most significant artworks of Kuzma, as quoted by My Bystrica.Kuzma cooperated on this Memorial with Academic sculptor Jozef Jankovi.
The organic architecture movement of the early 20th century was developed around these theories.
I believe in the concept of organic architecture that was developed in the early twentieth century and has evolved with our growing knowledge about creating harmony between a human habitat and the natural environment.
The most radical and famous example of his "organic architecture" concept can be seen in his 1935 design, Fallingwater, also known as the Kaufmann Residence, after the name of his client, a department store owner from Pittsburgh, Pennsylvania.
Fallingwater was the distillation of the ideology that Wright had sculpted since the first years of the century: organic architecture. Wright had always been acutely aware of the peculiar responsibility of his generation of American architects.
Howe's ideas of organic architecture as discussed here ask thoughtful questions about building in harmony with the natural world.

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