Otto Ludwig


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Ludwig, Otto

 

Born Feb. 12, 1813, in Eisfeld; died Feb. 25, 1865, in Dresden. German writer.

In Ludwig’s drama The Hereditary Forester (1850, published 1853) the realistic portrayal of characters and the social milieu is combined with elements of the “tragedy of fate.” His attempts (such as the tragedy The Maccabees, 1854) to create a historical monumental dramaturgy were not very successful. The realist tendencies maniest themselves most clearly in the novella Between Heaven and Earth (1856) and in Ludwig’s short stories, which depict the life of the petite bourgeoisie and artisans of Thuringia. Ludwig’s Shakespeare Studies (published in 1871) is a contribution to the theory of drama.

WORKS

Gesammelte Schriften, vols. 1-6. Leipzig, 1891.
Sämtliche Werke, vols. 1-6. Edited by P. Merker. Munich-Leipzig, 1912-22.

REFERENCES

Mering, F. “Otto Liudvig.” In his Literaturno-kriticheskie stat’i, vol. 2.
Moscow-Leningrad, 1934.
Meyer, A. Die asthetischen Anschauungen Otto Ludwigs. Winterthur, 1957.
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References in periodicals archive ?
Fourth, even though "the end o f Wallenstein's 'long nineteenth century'" is signaled in the work of Ricarda Huch and Alfred Doblin, their indictments of Schiller, like those by Laube, Otto Ludwig, and Grillparzer in the mid-19th century, still testify to the ongoing impact of Schiller's Wallenstein.
Fontane's theory of the novel is more sophisticated and owes less to the ideas of the Programmatic Realists Julian Schmidt and Otto Ludwig than is generally thought.
24) However, of those who fell under Schmidt's sway, the ablest literary critic and theorist was not Freytag, but Otto Ludwig, who from the early 1850s wrote a large number of Epische Studien which reformulate Schmidt's ideas, often in a slightly more philosophical register.
zu seinen Fundamentalsatzen, in denen ich mit dichterischer Kraft ausgesprochen finde, was, so lange ich kritisch wirke, mein eigener Leitstern gewesen ist': quoted in Hans-Peter Baumeister, Kunstlerische Berufung und sozialer Status: Otto Ludwig (Gottingen: Bautz, 1981), p.
Best known today for his long novella Zwischen Himmel und Erde, Otto Ludwig (1813-1865) also aspired to be a successful dramatist.
The term 'Poetic Realism' is usually ascribed to the novelist and critic Otto Ludwig.
This large section of the book contains worthwhile model analyses of novellas and poems by Otto Ludwig, Theodor Storm, Gottfried Keller, Conrad Ferdinand Meyer, Klaus Groth, and Theodor Fontane.