Jacopo Palma

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Palma, Jacopo

 

(called Palma Vecchio; real surname Negreti). Born circa 1480, in Serina, Lombardy; died July 30, 1528, in Venice. Italian High Renaissance painter.

Palma Vecchio was first mentioned in Venetian documents in 1510. He was influenced by Giorgione, Titian, and L. Lotto. The monotony of his artistic method is compensated to some extent by the softness and intenseness of his palette, the idyllic quality of his background landscapes, and the zestful sanguinity of his figures (The Meeting of Jacob and Rachel, c. 1520, in the Staatliche Kunstsammlungen in Dresden). He created a type of voluptuously plump, blond Venetian woman popular in Venetian art of the first half of the 16th century.

REFERENCE

Mariacher, G. Palma il Vecchio. Milan, 1968.
References in periodicals archive ?
Comprised of only forty or so paintings, a number that includes a trio of pictures by Dosso Dossi and collaborations with Giovanni Bellini and Jacopo Palma il Vecchio, "Titian" is less extensive an exhibition than one might have hoped for.
Lucretia's loosened veil makes her look slightly disheveled, inviting doubts about her character for some historians, who are reminded of the partially nude women of so-called courtesan portraits, such as the Flora by Palma il Vecchio, circa 1522-1524.
I also have a Palma Il Vecchio painting of Perseus freeing Andromeda from the dragon.
We encounter a trio of female portraits from the early 1500s by Durer and two obscure Italians, followed by a spectacular group of slightly later half-length portraits by Titian, Palma il Vecchio, Lotto, Paris Bordone, and their northern contemporaries.