Pao Chao

The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Pao Chao

 

(also Pao Ming-yuan). Born circa 414; died circa 466. Chinese poet.

In medieval Chinese literature, Pao Chao’s poetry is distinguished by its democratic content. The influence of yüehfu folk poetry is found in his cycles of poems Imitations of a Song of the Thorny Path and Imitations of the Ancients. Their main themes are lamentation over injustice and compassion for the people, who suffer from wars and taxes. The work of Pao Chao did not receive recognition in his own time, but it was highly regarded by the best poets of the T’ang period, who inherited its tradition.

WORKS

In Russian translation:
[Stikhi.] In Antologiia kitaiskoi poezii, vol. 1. Moscow, 1957.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
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The handful of articles in this section--"Problems of Translating Descriptive Binomes in the Fu" "Poetic Travelogue in the Han fu" "To Praise the Han: The Eastern Capital fu of Pan Ku and His Contemporaries," "A Journey to Morality: Chang Heng's The Rhapsody on Pondering the Mystery," "Pao Chao's 'Rhapsody on the Ruined City': Date and Circumstances of Composition"--show the author in full command of the most taxing material.
Similarly, in a note concerning Pao Chao's "Wu-ch'eng fu", Strassberg states that Pao Chao wrote the rhapsody "after a revolt in 456 by Liu Yen [sic], prince of Ching-ling, was brutally suppressed.
Consider four examples from Strassberg's translation of Pao Chao's "Teng Ta-lei-an yu mei shu".