Claudel, Paul Louis Charles Marie

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Claudel, Paul Louis Charles Marie


Born Aug. 6, 1868, in Villeneuve-sur-Fère, Aisne; died Feb. 23, 1955, in Paris. French writer and diplomat. Member of the Académie Française (1946). His father was a custodian of mortgage obligations.

Claudel graduated from the School of Law and Political Science and passed the bar. He was French ambassador to Japan (1921–26), the USA (1927–33), and Belgium (1933–35). Claudel was a playwright (The Golden Head, 1890; Break of Noon, 1906), poet (The East I Know, 1900; Five Great Odes, 1910; and War Poems, 1922), aesthetician (Art of Poetry, 1907), and prose writer (Images and Parables, 1936). In his religious work (Comment and Interpretation, vols. 1–8, 1962–67), Claudel comes close to neo-Thomism.

The search for truth, a lively sense of history, and patriotism brought him from abstract scholasticism back to the world of real passions and social battles—for example, the tragic farce The Bear and the Moon (1927), the antifascist manifesto “An Appeal to the German People” (Oct. 29, 1939), and the narrative poem France Speaks Out (1943; Russian translation, 1968)—and prompted him to condemn bourgeois individualism and the cult of money (the dramatic trilogy The Hostage, 1911; Crusts, 1918; and Humiliation of the Father, 1920).

The essence of Claudel’s dramaturgy lies in extolling heroism (The Satin Slipper, 1929) and selflessness (Christopher Columbus, 1935) in the name of peace, love, and social duty (the stage oratorio Jeanne d’Arc au bûcher, 1939).


Oeuvres complètes, vols. 1–26. Paris, 1950–67.
Oeuvres en prose. Paris, 1965.
Journal, vols. 1–2. Paris, 1968–69.


Istoriia frantsuzskoi literatury, vols. 3–4. Moscow, 1959–63.
Lunacharskii, A. V. “Drama Klodelia.” Sobr. soch., vol. 5. Moscow, 1965. Pages 344–48.
Tairov, A. Ia. Zapiski rezhissera. Moscow, 1970.
Entretiens sur P. Claudel. Editors in chief G. Cattaui and J. Madaule. Paris-The Hague, 1969.
Plourde, M. P. Claudel. Montreal, 1970.


References in periodicals archive ?
Contract notice: Restructuring rue paul claudel in limoges.
Lewis in "A Fitting Receptacle: Paul Claudel on Poetry and Sensations of God," identifies the importance of the poetry of Claudel in terms that happen to fit well with the account offered in this preface of Hart's call to attend to human experience in a manner that is open to encountering the mystery of God: "Claudel's writing .
And human freedom anyhow, apart from Christian redemption, is pretty much a necessary but dissolute affair or, as the French poet Paul Claudel puts it (and as Chaput approvingly quotes in the homily), the Christian "alone has liberty in a world of slaves.
The Poet as Believer: A Theological Study of Paul Claudel.
In strikingly contrasting ways, both Auden, when he wrote "Time will pardon Paul Claudel / And pardon him for writing well," and some postcolonial critics appear to link literary quality with moral views.
Paul Claudel, in referring to the audience, wrote, "We absorb them into the concert.
A Catholic poet like Paul Claudel, of course, is not bound by these dichotomies of space and time, the vertical and horizontal.
The Tidings Brought to Mary ," a special performance of the Paul Claudel play by the Blackfriars Repertory Theater and the Storm Theater.
Levertov spent the holidays late that December reading a recently published book on Paul Claudel who had died four years earlier.
Yeats worked with both Michio Ito and Ninette de Valois, and Paul Claudel collaborated with both Jean Borlin and the Ballets Sudeois.
To Paul Claudel, we learn, Proust represented "concentrated Jewishness.
And as the dramatist Paul Claudel lay dying he apparently joked 'Doctor, do you think it could have been the sausage?