Paul Delaroche


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Delaroche, Paul

 

(Hippolyte Delaroche). Born July 17, 1797, in Paris; died there Nov. 4, 1856. French painter.

A pupil of A. Gros, Delaroche depicted primarily dramatic episodes from medieval history in his paintings (The Children of Edward IV, 1831, the Louvre, Paris; The Assassination of the Due de Guise, 1834, the Condé Museum, Chantilly; Cromwell Opening the Coffin of Charles I, 1849, the Hermitage, Leningrad). In his creative work a naturalistic tendency—prosaic, humdrum, superficial treatment of historical events and a striving for an externally accurate rendition of the background, costumes, and details of everyday life—is combined with entertaining romantic subjects and idealization of kings, the nobility, and feudal mores. Delaroche also painted an enormous mural at the Ecole des Beaux-Arts in Paris, depicting artists of the past (Hemicycle, 1837-41), as well as a number of portraits and religious compositions.

REFERENCE

Paul Delaroche: Exposition des oeuvres. Paris, 1857.

S. V. MOROZOVA

References in periodicals archive ?
Enservio Select's art appraisal team was recently tasked with appraising an CyOld Master' painting believed to be by Paul Delaroche (French, 1797-1856), which was the subject of an insurance claim.
Her feelings got the better of her over a painting bought by Neil Wilson for [euro]550, which he believed is a lost masterpiece by 19th century French artist Paul Delaroche.
It is now getting on for two centuries since Paul Delaroche first declared painting to be dead in 1839.
Perhaps the most significant self-portrait of the Beaux-Arts system was provided by one of the first and best proponents of the genre historique, Paul Delaroche, when he was commissioned to allegorize the system as a whole by decorating the hemicycle of the Ecole des Beaux-Arts.
WHEN the celebrated French painter Paul Delaroche saw the first Daguerreotype, the first primitive photograph at its unveiling in Paris on August 19, 1839, he announced to the assembled viewers: "From today, painting is dead.
Tambien en 1858, la galeria comercial francesa de Goupil et Cie habia publicado el album fotografico de Robert Jefiferson Bingham sobre las obras del recientemente fallecido Paul Delaroche, por tanto inmediatamente despues de la exposicion retrospectiva de este ultimo en la Ecole des Beaux-Arts el ano anterior.
This exhibition traces the career of the French artist Paul Delaroche and in particular highlights his iconic painting The Execution of Lady Jane Grey (1833), depicting the death, in 1554, of the 17-year-old who had been Queen of England for just nine days.
Among the first to declare the death of painting was Paul Delaroche.
Delacroix emulated the Eastern scenes so commonplace in his time, particularly those of Napoleon's North African expeditions, and the historical theatricalities of such painters as Paul Delaroche, deviser of The Boy Princes in the Tower, The Execution of Lady Jane Grey and similar lugubrious spectacles.
In the mid-19th century, Arthur George, the third Earl of Onslow and a passionate collector of Napoleonic material, commissioned a portrait of Napoleon from the French painter Paul Delaroche, best known for his historical subjects.
One of the most masterful examples is "The Execution of Lady Jane Grey" (1833) by French artist Paul Delaroche.
Ger(tm)me had studied under Paul Delaroche, who instilled in him the ability to paint highly polished and meticulous historical tableaux whose distinctly cinematic quality made the imagery realistic.